Alan Lomax Quotes
I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
Quotes to Explore
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
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I'm an American citizen now, but I will always have Canadian pride.
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One half who graduate from college never read another book.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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Music history has flowed under the bridges for many years.
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My philosophy is to be me.
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The music business is one of a few places where everything you've heard about it seems entirely cliche, but it's true.
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I would say I'm pretty much the exact same as the stereotypical American kid. I mean I'm really lazy, I play a lot of video games, I like girls. I like, you know, the violence and action type thing.
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My speech is really important to me, but the thing is at the moment it can't be more important than my singing. Until I'm an established name all over the world, my speech won't be more important than my music.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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Sports without music is just a game. Music makes it entertaining.
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Managers in all too many American companies do not achieve the desired results because nobody makes them do it.
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Everything has to evolve. Music has to go somewhere. That's what keeps it fresh.
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There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
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Israeli interests are not necessarily in harmony with the American interests.
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I've come to realize ways of making music without being excessive.
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When you get the opportunity to work with somebody like Jude Law, there is a fear. They've got lots of stuff under their belt.
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While knowledge may provide useful point of reference, it cannot become a force to guide the future.
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I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
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I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
