Lele Pons (Eleonora "Lele" Pons Maronese) Quotes
Quotes to Explore
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We just here to do our job.
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My movies are, more or less, very short. I'm terrified of boring an audience.
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I grew up in California, and when I read that Proposition 8 was on the ballot, I was disappointed because it seemed to be inconsistent with the spirit of the state, with the independence and diversity of the frontier that California has always been.
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When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
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For me, it was not destiny to make it to where I am now - I thought for a long- time I would become a go-kart mechanic, or a job like this, not an F1 driver.
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If transportation technology was moving along as fast as microprocessor technology, then the day after tomorrow I would be able to get in a taxi cab and be in Tokyo in 30 seconds.
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I never thought I would go to Gaza. It's incredibly difficult to get into, and when you get there, it's a war zone. Then they have this beach, and there's this incredible, vibrant beach culture there, which is something that I grew up with in Southern California.
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Men are every bit as gendered as women.
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I'm ready to do something with Lady Gaga or Andrea Bocelli. I'm really grateful that nothing is out of the realm of possibility.
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People work hard.
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My shows and my material are grounded in reality. It's pretty much something that's either happened in my life or in the news, and I start there and give you my take on it.
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I have been five minutes too late all my life-time!
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I keep threatening to keep a formal journal, but whenever I start one it instantly becomes an exercise in self-consciousness. Instead of a journal I manage to have dozens of notebooks with bits and pieces of stories, poems, and notes. Almost every thing I do has its beginning in a notebook of some sort, usually written on a bus or train.
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Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course, everyone wants to own copyrights.
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I don't have any regrets at all.
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I've played quite a large spectrum of teenaged girls, from psychotic to very sweet to a polygamist.
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I think songwriting is the ultimate form of being able to make anything that happens in your life productive.
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Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is.
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I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas.
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My earliest memories of defying my parents were through music. I remember rap being banned in my house, and then getting a Cam'ron album.
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When you create a show, and create characters, these people are like children to you.
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For me, cerebral palsy wasn't the biggest deal, because I always had it. You know, you always work with what you got.
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Any time there's significant change, there's going to be some people who embrace the change and others who are against the change.
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Most of the time, I am wearing sweatpants and sweatshirts.
