Lena Waithe Quotes
To be a black person is to come from a long bloodline of survivors and storytellers, with a resilience that people can't even comprehend.

Quotes to Explore
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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I just see religious freedom, as a category, as just being a black hole.
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It's one thing to live my own life and know that I'm O.K. But there's another thing I want to take on, and that is letting people know that they're O.K., too.
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People always say I'm a legend, but I'm not. Not until I've defended my Olympic titles. That's when I've decided I'll be a legend.
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Nothing's better than coming away from a film when people don't even recognize you, because you've undergone a total transformation.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I'm very passionate about the use of sports in young people's lives to build self-esteem and self-discipline and self-confidence. It's been a big thing for me.
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I may be helping to bring harmony between people through my music.
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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I just love, love going around and traveling and bringing the music to people. They just make you feel so happy that you came.
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I don't think the 9/11 attacks taught us anything we didn't already know about religion. It has long been obvious - even to the deeply religious - that religious fanaticism is an extremely dangerous deranger of otherwise sane and goodhearted people.
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I guess my favorite artists are The White Stripes or Tom Waits. The more theatrical the music is, the more I get into it. I also like the quieter folk music, that kind of old-school rockabilly or country. I'm not really picky when it comes to music, as long as it's honest.
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I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
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At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
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The pledge drive has everything going against it as broadcasting. It's repetitive. It's ad-libbed by people who can't ad-lib. It's about asking for money, which is something nobody wants to hear, even from their own relatives.
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Get yourself into every audition that you can. Even in those for smaller roles, you'll never know when someone may recommend you for a bigger one.
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I don't like getting people upset, so that's not my goal. But I like putting people in situations where how they respond says a lot about them.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
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If a scientist is not befuddled by what they're looking at, then they're not a research scientist.
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I wanted to get away from the Mexican vernacular and do more 'nuevo Latino.' Americans are starting to understand regionality in Mexican food. It is very regional in terms of ingredients.
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I remember unbelievable tension in our home. There were lots of meetings, lots of worries. I remember my father told me I had to be careful of what I said on the phone because it was tapped. And I remember how his friends adored and revered him.
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I got frustrated with films like "Armageddon" and "Deep Impact," where the only answer to deal with a Near-Earth Object is basically Bruce Willis with a big drill.
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To be a black person is to come from a long bloodline of survivors and storytellers, with a resilience that people can't even comprehend.