Lena Waithe Quotes
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I'm a big believer in writing really good dialogue.
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Even white people are tired of watching white people's shows.
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I'm a big fan of Nora Ephron, who believed everything is copy, and I agree.
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What's 'Atlanta' about? Technically, it's about a couple guys who are friends, but to me, 'Atlanta' is about black lives. I'm getting a real look at what black life means in Atlanta.
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I can't stop my comedic voice.
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Talk to any black person in my age group, and they'll say 'A Different World' is why they went to college. The show literally changed my life, and it boggles my mind that it doesn't get the kind of love it deserves.
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I love a web series. But to me, it does the girl in Detroit a disservice who just watches television. It does a disservice to the girl on the south side of Chicago who doesn't go online.
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I actually really liked 'The Help.' I know that may not be a popular thing, but I thought it was a solid film. It wasn't 'Roots.' It wasn't 'The Color Purple.' But you couldn't pick it apart in terms of storytelling, and I thought the characters were well written.
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I've known I was gay since I was young, I think. And I mean young - like, young - like 5 or 6. I think most gay people or queer people know there's something different about them very early, but I didn't know what to call it.
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I love basketball! When I'm flying, and I have on sweats, a hat, and sneakers, people always assume that I'm a high school kid going to an away game. And I always say no, I'm a fan of the game.
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I never thought I would write about Chicago, and I definitely never thought I would write a drama.
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I think that for the most part, black people specifically have sort of been used as props in TV shows as a way to move story along or as a way to make things more entertaining.
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I actually don't like saying 'lead character,' which is an interesting thing. If you say there's a lead, then there has to be someone to follow.
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People always go, 'Damn, how you got all this happening at once?' I tell them it's the Chicago in me.
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I don't need an Emmy to tell me to go to work. I've been working.
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Maybe some young girl seeing me on the Emmy stage may have meant something for them.
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I got into the business because I love writing. When it came down to finding my voice, which every writer has to take time to do, I think I realized I write black people very well. I write us in a very honest way, and I want to hear the way we really talk.
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The thing for me is to always tell the truth. Not to preach, but to tell the truth.
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I feel like I wanna have a series of moments. It's scary when they say you're having a moment, because moments are momentary.
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For me, my brand is good storytelling.
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I'm not asking for there to be all black writer's rooms or all Asian writer's rooms, or all white - I want them all to be diverse. When it's diverse, you're going to have a completely different dynamic. Everybody feels othered. Nobody feels like they've got the upper hand.
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When you're not as accessible, you get in a tent and get in your own head, and you start doing things that are a little out of touch. I think we've seen it happen with certain artists... people can't touch them; they're not touching people. They're only touching people in their circle.
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Things meant to appeal to the masses usually end up appealing to no one.
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I always love where I can plug a black woman in anywhere, and when that comes up, I don't say, 'Oh that has to be a black woman.' I say, 'Why not a black woman?'