Lennon Parham Quotes
Quotes to Explore
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By adopting a wonderful mutt, you'll save a life and help reduce animal homelessness while also boosting your chances of a more robust new furry friend, as mixed-breed dogs have demonstrated better health and longer life spans than their purebred cousins.
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I don't do detoxes or cleanses; they don't really work for me.
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If Turkey wants to join Europe, it will have to become a European country, and that might take a long time.
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I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
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There is a role and function for beauty in our time.
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Life has been kind to me. I am happy with the love and appreciation that I have been getting throughout my career. I feel blessed.
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It's in literature that true life can be found. It's under the mask of fiction that you can tell the truth.
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Christ imparts the capacity of conquest to our lives every single day that we are willing to believe Him.
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I always drive like a madman.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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At night, I love dressing up. I love putting on an outfit.
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Dreams are today's answers to tomorrow's questions.
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Time was God's first creation.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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You cannot govern, you cannot administrate, with an ignoramus.
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Letting the facts speak for themselves is an immoral principle when we all know that facts and figures can be selected to prove anything.
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By faithfulness we are collected and wound up into unity within ourselves, whereas we had been scattered abroad in multiplicity.
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In sport, a massive amount is to do with genetics.
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We look for partners who are solving a problem for us. If they've already solved it, we'd much rather try to partner with them than try to rebuild it.
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I don't show just anyone how to crust a sea bass. That's sacred information.
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I used to hunt and fish.
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'After all,' he muttered, 'what can they do to shake the confidence of a fellow who’s got delusions of adequacy?'
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Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.
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I did my one-woman show in order to show people what to do with me.
