Karamo Brown Quotes
Most people have never been listened to, and they've never been asked questions that they want to be asked.
Quotes to Explore
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I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
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I even have a Harmony Rocket and a Stratocaster with a scalloped neck back in Florida.
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I spend all my time right now trying to combat music retail and copyright.
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I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.
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I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
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Some people need sequins, others don't.
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I'm very realistic. I know my boundaries - I know what I'm good at and what I'm not good at.
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I have always been a coward as a child. I am not very brave. I am very aware of the fact that I am not very gutsy.
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Intellectually, I am already an old man. But in the sensory area, I am still such a child! I shuffle on my bottom between the two.
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True Yankees fans know an up-and-coming player when they see one.
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Two truths are all too often overshadowed in today's political discourse: Public service is a most honorable pursuit, and so is bipartisanship.
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The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
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Most people don't really understand what it takes to get a film made, and the struggles .I think anyone who makes a film goes through their own set of struggles.
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I didn't really enjoy school in general.
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Posthumous reputations have little to do with real lives.
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IQ is a commodity, data is a commodity. I'm far more interested in watching people interact at a restaurant with their smartphone. We can all read 'Tech Crunch,' 'Ad Age.' I would rather be living in the trenches. I would rather be going to Whole Foods in Columbus Circle to watch people shop with their smartphones.
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My hand is the extension of the thinking process - the creative process.
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I do secret stand-up shows around New York. I announce and tweet this to nobody - I get onstage and I do a quick five minutes.
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I'm happiest when I'm discussing a script and working with interesting people.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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I think it's very insulting to say, 'White people don't understand.' What are you talking about? You're part of the problem then if you're... speaking and labeling all white people, saying they don't understand the issue or saying they can't relate. That's really not giving people much credit, is it?
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Life was neither something you defended by hiding nor surrendered calmly on other people's terms, but something you lived bravely, out in the open, and that if you had to lose it, you should lose it on your own terms.
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Anything that is in the world when you're born is normal and ordinary and is just a natural part of the way the world works. Anything that's invented between when you're fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it. Anything invented after you're thirty-five is against the natural order of things.
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Most people have never been listened to, and they've never been asked questions that they want to be asked.
