Larry Gelbart Quotes
I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
Quotes to Explore
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My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I would never write a memoir, because it would be too boring.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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Writers are storytellers. So are readers.
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I write romance because I love to read romance.
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When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.
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I just write mechanical things.
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I never write about the road. I never write about hotels or anything like that.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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If you can write it, I can be it.
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Language is the currency of consciousness. We speak to fill the void. We write it down to remember.
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I absolutely loved it, and I loved the way the character of D'Artagnan had been portrayed. I was just well up for it. So, I went in and met (director) Toby [Haynes], and as soon as I got into that room, to see how excited everybody was to get this underway and onto the set, it just drew me to it, even more. It was an instant attraction, so I was delighted when I got the offer.
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Re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul; and your very flesh shall be a great poem, and have the richest fluency, not only in its words, but in the silent lines of its lips and face, and between the lashes of your eyes, and in every motion and joint of your body.
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I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
