Larry Gelbart Quotes
I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
Quotes to Explore
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My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I would never write a memoir, because it would be too boring.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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Writers are storytellers. So are readers.
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I write romance because I love to read romance.
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When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.
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I just write mechanical things.
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I never write about the road. I never write about hotels or anything like that.
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Writers are not meant for action.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.
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I write songs that are like diary entries. I have to do it in order to feel sane.
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It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
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The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
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It's a new challenge to see how people can change your look. I like words like transformation, reinvention, and chameleon. Because one word I don't like is predictable.
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There's nothing worse than people who want to make you feel better when you are losing. I just want to smack them.
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I love figuring out a stranger, sitting down and learning about their loves and struggles and everything. People are my jam.
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I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
