Alber Elbaz Quotes
Quotes to Explore
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I mean, you've kind of got the track down, especially with ovals. The only thing that improves is that when race conditions come, you know what to expect slightly more from the track and from your car.
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Surprise is key in all art.
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I am fighting vigorously for less spending, less waste and limited government. I strongly believe that the more government grows, the less freedom Americans have.
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When I first started out, I was a bad actor.
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Some people write heavily, some write lightly. I prefer the light approach because I believe there is a great deal of false reverence about. There is too much solemnity and intensity in dealing with sacred matters; too much speaking in holy tones.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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Stop a minute, right where you are. Relax your shoulders, shake your head and spine like a dog shaking off cold water. Tell that imperious voice in your head to be still.
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My daddy used to say that I was too big to ride and too little to hitch a wagon - no good for a damn thing.
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Career had a lot to do with 80 percent of my breakups. It's very tough to date a struggling musician. The idea of it is enticing and fun and mysterious. But the reality is long hours and hard work. I have a lot of respect for the women I've dated.
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I would say that no film is apolitical. There are politics in all films. Any film that is anchored in a society, any film that deals with humanity is necessarily political.
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I'm in no way suggesting that my opinion matters more than anyone else's, of course, but the only thing that bothers me is apathy. People that sit out of the process and complain about it, or pretend that politics isn't a part of their everyday lives.
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Society tells you that when you're old you have to retire. You have to defy that.
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We already have - thanks to technology, development, skills, the efficiency of our work - enough resources to satisfy all human needs. But we don't have enough resources, and we are unlikely ever to have, to satisfy human greed.
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One thing I've tried to never do is make wish lists. I try to have a very steppingstone mentality about this whole thing, where as soon as you make one step you visualize the next step, not five steps ahead.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
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The Japanese bureaucracy is unique. It is also very powerful, although it is now the object of so much criticism. Many of Japan's brightest made it a pillar of strength and continuity.
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I used to dress like Roger Taylor when I was ten because I thought he was cool. In high school, I used to dress like Stephen Perkins from Jane's Addiction because I thought he was cool. You just want to be those guys when you're that age.
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The mysteries of death and birth occupy women far more than is the case with men, to whom political and mercantile speculations are more congenial.
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I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
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A good impression is sort of a juxtaposition of disparate elements.
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There is no female Mozart because there is no female Jack the Ripper.
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If I take refuge in ambiguity, I assure you that it's quite conscious.
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I hate the word 'cool.' It gives me a rash.
