Albert Hammond, Jr. Quotes
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The way the press works, people don't like to review or talk about EPs. It's considered, 'Why don't you just wait for the record?' But for someone who's creating, and the audience, they can get material quicker. I almost feel like putting out a few songs every couple months might be better than putting out an album every year or two.
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When you put on music, just feel it; it's a different sense. I walk around with music in, and it can just change my world in seconds.
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When they write a bad review, and you agree with it, that's the worst feeling. When you know you've done what you wanted and the best you could and you love the outcome, then you look at everything differently. Not everyone's going to love everything you do.
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It's so funny because when I talk about fashion and menswear designers, it's really like a small percentage of my head. I don't mind talking about it, but I always worry that it's gonna seem to the outside world that that's all I think about.
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I like rock music that has melody, but it also makes you wanna get up and dance.
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You know when you become friends with someone, you don't even remember? When you weren't friends? You're just kinda like, 'When were we not friends? When I met you, weren't we just already friends?' I have the same thing with the Strokes guys.
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Sometimes you wanna be James Bond, and sometimes you wanna be Marlon Brando until you realize you can't be either!
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I feel like my strength is surrounding myself with people who have an ear for things, and then they play it for me. I'm always looking; my ear is always open.
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I couldn't sing without a guitar. I like the way it feels to sing and be holding a guitar, even if I'm not playing it that much. All my idols that I grew up liking always had a guitar on them, but they didn't play it - Buddy Holly, John Lennon, Lou Reed, Elvis Costello. It's like having a partner with you.
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Over time, naturally, you lose your innocence from gaining knowledge. You can't be innocent forever, but there's something in innocence you need to regain to be creative.
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Carl Sagan's 'Pale Blue Dot' is where I got the title 'Momentary Masters.'
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I don't think I found out what I liked to wear until I was, like, 18.
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You really get your sense of women, to begin with, from your mom.
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I actually use women's perfume - I have since I was a kid. It's called Anais Anais, from Rachael. It smells like a beautiful woman and a bouquet of flowers. I use that and Right Guard deodorant.
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My personality can be extreme in all ways, even in positive ways; I've learned that.
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When starting a project, your influences are the things around you. It doesn't mean you have to sound like it or look like it or anything. It's just something new, and your curiosity becomes enthralled by it.
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Ties were always my thing. When I was 18, on Sunday, when everyone was taking off for a casual day, I'd wear a suit to go have brunch.
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I feel like I always describe myself as a late bloomer. My first album, in my mind, was that I had a few songs I needed to take from incomplete demos to working with someone else and finishing them.
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I've always wanted to see what Egypt was like when they were building the pyramids or Rome at the height of the empire or Greece - more specifically, Crete before it was destroyed. Why? Because I'm curious how we all hung out on a day to day basis, what was the chit chat, etc. Reading things in a book never gives you the feel.
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I'll write lines or words in a notepad. You work on little things and little parts; sometimes they turn into bigger songs.
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When you get together in a group, it becomes like a family, with the different personalities and the politics that comes with being in a band. It's different than bringing something in by yourself.
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I think that's one of the greatest gifts you get if you're successful at something like music or film or photography - any of the arts - you can sit there and think. It's so much fun to sit there and think and wonder about the world and the universe.
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I think the last book I cried in was Patti Smith's 'Just Kids.' I don't shy away from crying, though. I actually really enjoy being moved like that.
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I feel like that's what being creative is: It's you bouncing with emotion and what you capture in those bounces. Accept where you are and use it.