Eddie Vedder (Edward Louis Severson III) Quotes
Quotes to Explore
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A rolling stone gathers no moss, but it gains a certain polish.
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Edie Sedgwick had a cool style; she pushed the envelope for the time.
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To grow up knowing you're loved is astounding. It's a huge gift to a child.
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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If you are unhealthy, start by making small changes to become healthier. You are unique, beautiful, and worthy.
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Due to my hectic work schedule, I hardly have enough sleep, and my skin tends to look dull. Facial masks are my savior, as it helps to brighten and hydrate my skin.
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The security link between us and Europe is very important for European security but also for our security.
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The most successful Subway customers, of course, are the ones who can't keep their hands off their sandwich. Join your artist in the sandwich assembling process. That sneeze guard is a suggestion. That sneeze guard is trying to intimidate you into staying on the customer's side of the partition.
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I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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If you are in this business long enough, you hear about a thousand things that are going to kill you. Open source? Yeah, we are not dead yet. Cloud? That's not new; it's a new name.
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I hadn't planned to be a model. It just happened by pure chance. I went to a beauty school with my sister, and I got discovered pretty late. I was discovered when I was 20-21.
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When I was a very young lawyer, I had a senior partner who advised me never to get mad, except on purpose.
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I turned into a monk when my mother went to learn Buddhism in Burma. While she learnt at the monastery, I used to roam around with a begging bowl and ask for food.
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My characters hope for better lives.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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If a work of art is rich and vital and complete, those who have artistic instincts will see its beauty, and those to whom ethics appeal more strongly than aesthetics will see its moral lesson. It will fill the cowardly with terror, and the unclean will see in it their own shame.
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Friendship, like the immortality of the soul, is too good to be believed.
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All great sages are as despotic as generals, and as ungracious and indelicate as generals, because they are confident of their impunity.
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We are mere journeymen, planting seeds for someone else to harvest.
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The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
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We try to push such crazy ideals onto young women: the Hollywood version of what they should look like, what they should do, and the kind of Prince Charming they should be looking for. We should just be proud of who we are, because we can't be anybody else. So what's the point of trying?
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I like restraint. Even with actors, restraint is something that I work on the most.
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It's a character-builder to be a fan of the Chicago Cubs.
