Alberto Giacometti Quotes
Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago and others, distributed by Doubleday, 1965. p. 20
Quotes to Explore
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It's difficult to talk about, you know, my inadequacies, my inability to stay sober when I'm a relatively bright man and I've had a lot of great blessings and a lot of great opportunities.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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There is always shame in the creation of an object for the public gaze.
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There was a special challenge in describing the awful childhood of a person who happens to be my own husband. It was very painful at times, for both of us.
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Coming out of college with a degree in fine arts and painting isn't worth much any more.
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Oh God, my choice of film has never depended on the hero. In fact, you will see that some of my categorical mistakes had nothing to do with the hero in it.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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My mind's never gone very far away from what I wanted to accomplish.
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I just don't tend to cook eggplant at home.
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I want to lay all my cards out on the table and walk away with no regrets.
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I've always had tremendous support from my parents. I think there's a myth that gay people have lousy relationships with their parents.
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As a universal history of philosophy, the history of philosophy must become one great unity.
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It's taken me time to find my feet in L.A.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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I live in England, so I take a lot of trains, and you can't really go anywhere without somebody talking on their mobile phone behind you, forcing you to listen to their conversation. With the Internet, with texting, with networking sites, there's already information everywhere.
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I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping.
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Some indeed have tears naturally, when the higher motion of the soul makes itself felt in the lower, or because God our Lord, seeing that it would be good for them, allows them to melt into tears. But this does not mean that they have greater charity or that they are more effective than others who enjoy no tears.
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I just feel like with independent movies... they're really free to do whatever they want. They're not afraid to make a statement about anything, and there's not a huge studio behind them making sure that everything is wholesome and politically correct and all that.
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I feel like the more real we are, the more people will respect that.
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I'm a good student. Just trying to learn as much as possible is how I picked up so many languages.
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I do think my lyrics have gotten... not necessarily more poetic, but more open to interpretation; they're less literal.
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Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago and others, distributed by Doubleday, 1965. p. 20
