Alberto Giacometti Quotes
Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago and others, distributed by Doubleday, 1965. p. 20
Quotes to Explore
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It's difficult to talk about, you know, my inadequacies, my inability to stay sober when I'm a relatively bright man and I've had a lot of great blessings and a lot of great opportunities.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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There is always shame in the creation of an object for the public gaze.
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There was a special challenge in describing the awful childhood of a person who happens to be my own husband. It was very painful at times, for both of us.
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Coming out of college with a degree in fine arts and painting isn't worth much any more.
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My first audition happened to be for 'Kindergarten Cop,' and I took that role. I was only starting to learn English at that point. Spanish is my first language, so they made me a speaking character in the movie. I didn't really know I was shooting a movie. I was just having a lot of fun with 30 kids my own age.
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Oh God, my choice of film has never depended on the hero. In fact, you will see that some of my categorical mistakes had nothing to do with the hero in it.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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My mind's never gone very far away from what I wanted to accomplish.
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I just don't tend to cook eggplant at home.
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I want to lay all my cards out on the table and walk away with no regrets.
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I've always had tremendous support from my parents. I think there's a myth that gay people have lousy relationships with their parents.
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As a universal history of philosophy, the history of philosophy must become one great unity.
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It's taken me time to find my feet in L.A.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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I live in England, so I take a lot of trains, and you can't really go anywhere without somebody talking on their mobile phone behind you, forcing you to listen to their conversation. With the Internet, with texting, with networking sites, there's already information everywhere.
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I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping.
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Everything I try to do wants to be able to push communication through the notion of the visual image.
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I supported the Bush tax cut.
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A lot of times there were big mistakes, but I would show the art director and he'd say, Yeah, let's go with it. There would be a strange cropping or one girl in focus and three out or a blur. But I would end up liking the mistakes and incorporating them into my work. And I became known for it.
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When you have a magazine like 'Vogue,' you know a lot of kids are going to follow your pictures.
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The library was a little old shaby place. Francie thought it was beautiful. The feeling she had about it was as good as the feeling she had about church. She pushed open the door and went in. She liked the cmbined smell of worn leather bindings, library past and freshly inked stamping pads better than she liked the smell of burning incense at high mass.
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Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago and others, distributed by Doubleday, 1965. p. 20
