Aldis Hodge Quotes
Sometimes there's something that a writer doesn't see or a producer doesn't see when he's looking at a shot.
Quotes to Explore
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I grew up in a very large, poor family.
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I wasn't popular in the home office because I wasn't chicken. I'm just a risk taker. I have gut instincts.
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My Welsh grandmother Mair didn't meet my grandfather until she was 28, quite old to be unmarried in the early '40s.
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What a terrible thing to have lost one's mind. Or not to have a mind at all. How true that is.
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I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.
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If you are ready to put a product or service on the market, look at that product or service and see how you can test it inexpensively. Keep in mind, you'll only need one; you don't need 1,000 to get the answer.
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The Corona Extra brand was launched in Austin, Texas. From Austin, where it was exclusively for three or four months, it became more widely available in that state and in others, primarily in the southwest and western United States.
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I worked for Microsoft until 1996, till I had a different angle to view life. I wanted to be an entrepreneur and control my own destiny.
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When a handful of tech giants are gatekeepers to the world's data, it's no surprise that the debate about balancing progress against privacy is framed as 'pro-data and, therefore, innovation' versus 'stuck in the Dark Ages'.
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I started out, as most astronomers do, with a university job. But in my generation, women weren't very welcome at universities, and so I found a job in the government. And the government was appreciably more welcoming.
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If you want to know whether soccer is big in America, pick a weekend, go to any park in the land, and pay attention. We're there. We've always been.
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Here's my life, why not, it is one, if you like, if you must, I don't say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that's the mistake I made, one of the mistakes, to have wanted a story for myself, whereas life alone is enough.
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There are two clever tricks men know. One is to make much of nothing. The second is to make nothing of much.
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Zwey Seelen wohnen, ach! in meiner Brust.
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As for my own business, even that kind of surveying which I could do with most satisfaction my employers do not want. They would prefer that I should do my work coarsely and not too well, ay, not well enough. When I observe that there are different ways of surveying, my employer commonly asks which will give him the most land, not which is most correct.
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I don't walk around saying everything is going to be wonderful.
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The Bible clearly says that when we have a problem with our brother, we are to go to them and try to resolve the situation.
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We don't have enough Latinos on TV just getting cast in supporting roles; the idea of having your own show named after you seemed like such a long shot.
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Quality of life is not only about what you find in the shops; it's about the landscape.
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I think one of the biggest jobs of being a director is getting the casting right.
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I see the insurance issue, the coverage of people for healthcare in our country as a huge moral issue. The richest country in the world to have 47 million people without health insurance is ridiculous.
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The problem Philip Morris had with electronic cigarettes since the beginning of development was the satisfaction of the smoker. Because the taste is dramatically different and, at the initial stages, the nicotine pharmacokinetics were very slow. You could not get the satisfaction. It's not so easy to crack this code. The taste satisfaction is very important. The closest you are to this, the more chances you have to switch people. It's very nice to have a zero-risk product, but if nobody uses it, you don't have any reduction in public health risk.
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In order to remain true to oneself one ought to renounce one's party three times a day.
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Sometimes there's something that a writer doesn't see or a producer doesn't see when he's looking at a shot.
