Aldis Hodge Quotes
Quotes to Explore
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I have 179 children that I take care of full-time: close to 40 in Uganda and the rest in Sudan.
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I started playing badminton when I was probably of eight years and ever since have been playing. I didn't go to university.
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We continue to blame the poor for their own condition. They are lazy. We do not want to know that the poorest of the poor are toddlers under three years of age.
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I came to acting in a very circuitous way.
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By gnawing through a dike, even a rat may drown a nation.
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I would love to continue working on animated films. Yeah, those are my ambitions. No doubt.
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I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.
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There's more to life than physical and material.
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I don't mind being described as vanilla in certain ways.
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I don't let anything kill my spirit.
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See, the SAG awards caught me totally by surprise.
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I say violence is necessary. It is as American as cherry pie.
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There are far too many people in university in Britain. If you want to make money, be a plumber.
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No matter where I am in the world, I will always be back home for Christmas.
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The more you work with anyone, the more comfortable and safe you feel. The more you have an understanding.
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In a liquid modern life there are no permanent bonds, and any that we take up for a time must be tied loosely so that they can be untied again, as quickly and as effortlessly as possible, when circumstances change - as they surely will in our liquid modern society, over and over again.
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However old-fashioned and right-wing this may sound, the American genius for language lies in understatement, in saying things simply, pointedly and quickly, and in making new and clean and swift what otherwise might be ponderous, round and slow.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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Most photographs are of life, what goes on in the world. And that's boring, generally. Life is banal, you know. Let's say that an artist deals with banality. I don't care what the discipline is.
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The country remains dependent on oil. But as we are now learning, oil is becoming increasingly scarce.
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I couldn't wait to get out, and at 14, I moved into a three-room Georgetown town house with Dad. I never went back. When they eventually sold the house, in 1984, Mom had a goodbye party for 'Merrywood.' I refused to go.
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My family weren't actors, and we didn't know any actors. It wasn't even something I was aware you could do as a job. I thought you had to be a Redgrave or a Barrymore before you were allowed to go to drama school.
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I remember from my father's funeral that the minister kept using a metaphor about life of a prism. And I took that away like a cherished image.
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This country is not built on one culture alone. We all make up this industry.
