Aldis Hodge Quotes
The danger in having modern music tied to a period piece is that hearing something may take you out of the moment.
Quotes to Explore
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I would just die if some little girl saw me jump into bed with someone in the movies, and then she did it and got AIDS and died.
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When U.S.-based editors and columnists parachute into a news storm, it is often the stringers who keep us out of trouble, helping us glimpse the complexity behind the headlines.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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We just here to do our job.
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I love, personally, the experience of going to the theater, going to the cinema.
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The only way of knowing a person is to love them without hope.
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Fighting, I guess, was never the real reason I read comic books as a kid. The fighting was an important part, an integral part of it; I don't know I would've read it without it.
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I think we all carry the seeds of our own destruction. You really have to be aware that just because something is good, it doesn't mean it's not going to trigger a self-destructive impulse.
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What we cannot deny is that there's an association between exclusion, segregation, non-violent extremist thinking, and jihadism.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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Adulthood is not a goal. It's not seen as a gift.
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Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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I think we can launch - successfully, high quality - around 20 original scripted shows a year, which means every 2 1/2 to three weeks you're launching a new season or a new show on Netflix meant to be for really diverse tastes all around the world.
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The theatre is one of those muscles - if you don't exercise it, it becomes a strange and truly fearful place.
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A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. It's like a proscenium arch for a dialogue.
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I was branded a Negro in the States and had to act accordingly. They wouldn't even give me a chance in the big leagues because I was a Negro, yet they accepted every other nationality under the sun.
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I love, when I feel challenged, to step up to my highest capacity.
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One of the remarkable things about slums is that they do develop their own social organization and economy and even culture that is, on some level, functional and in some cases, remarkably resilient. This is kind of amazing.
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The danger in having modern music tied to a period piece is that hearing something may take you out of the moment.
