Leon Uris Quotes
Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
Quotes to Explore
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I am very happy my Olympic dream has come true.
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I'm on the road earning my money. I didn't get any million pound record deals. Not unless you're Jedward! I'm doing very well, but I still have a mortgage to pay off. So I'm on the road.
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They're like a weird couple. If you were to personify the artichoke and the oyster, they would have a great date. They would totally get along.
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We have to surmount the difficulties that face us and work steadfastly for the happiness and prosperity of our country.
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And it seems to me in that experience may lie at least some of the clues for policy development perhaps constitutional changes as well that Labour will need to make at the national level too.
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The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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I would take plays and I would cut out all the other dialogue and make long monologues because I felt the other kids weren't taking it as seriously as I did.
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There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
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If you think about a Thanksgiving dinner, it's really like making a large chicken.
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The acting bug just seemed to stick with me. I loved going to theatre school in college and continued to train in film classes and had been auditioning for T.V. and movie roles since I was in my late teens. My career has been slow and steady, and I kind of like it that way.
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What God intended for you goes far beyond anything you can imagine.
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Saint Mochua was the son of a certain Cronan, of noble race, and spent his youth in fighting. At the age of thirty, he laid aside his arms and burnt a house, with all its contents, which had been given to him by his uncle, saying that a servant of Christ should take nothing from sinners.
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We believe that Lebanon has been the first real experience for all the Arabs.
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I do like being busy. I'm not the kind of person who just sits around and goes to a spa when I'm not working.
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Versace designs have always been bootlegged. Now it's Versace bootlegging the bootleg for the bootleggers to bootleg the bootleg.
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My grandparents don't really listen to pop music, and they only speak Spanish and only listen to Spanish music.
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I'm trying to go with the flow, which is not what I used to do. I used to try to micromanage my career choices.
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A filmmaker can never be distant from his roots.
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I just cannot imagine why anyone would want to be really famous. You go to a restaurant and people are pointing at you and they talk about you and they whisper and it is very disconcerting; it is a very odd feeling.
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As I am generous towards others ... As I see a person in need and don't just say, 'God bless you.' I am proclaiming the Gospel of Jesus Christ.
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Being uprooted from your own culture, provided you take with you the way of thinking and being that characterises the more integrated social culture from which you come, is not as disruptive to happiness and well-being as becoming part of a relatively fragmented culture.
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Spoken of the young Archimedes: . . . [he] was as much enchanted by the rudiments of algebra as he would have been if I had given him an engine worked by steam, with a methylated spirit lamp to heat the boiler; more enchanted, perhaps for the engine would have got broken, and, remaining always itself, would in any case have lost its charm, while the rudiments of algebra continued to grow and blossom in his mind with an unfailing luxuriance. Every day he made the discovery of something which seemed to him exquisitely beautiful; the new toy was inexhaustible in its potentialities.
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Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
