Leon Uris Quotes
Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
Quotes to Explore
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I am very happy my Olympic dream has come true.
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I'm on the road earning my money. I didn't get any million pound record deals. Not unless you're Jedward! I'm doing very well, but I still have a mortgage to pay off. So I'm on the road.
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They're like a weird couple. If you were to personify the artichoke and the oyster, they would have a great date. They would totally get along.
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We have to surmount the difficulties that face us and work steadfastly for the happiness and prosperity of our country.
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And it seems to me in that experience may lie at least some of the clues for policy development perhaps constitutional changes as well that Labour will need to make at the national level too.
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The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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I would take plays and I would cut out all the other dialogue and make long monologues because I felt the other kids weren't taking it as seriously as I did.
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There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
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If you think about a Thanksgiving dinner, it's really like making a large chicken.
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The acting bug just seemed to stick with me. I loved going to theatre school in college and continued to train in film classes and had been auditioning for T.V. and movie roles since I was in my late teens. My career has been slow and steady, and I kind of like it that way.
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What God intended for you goes far beyond anything you can imagine.
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We believe that Lebanon has been the first real experience for all the Arabs.
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I do like being busy. I'm not the kind of person who just sits around and goes to a spa when I'm not working.
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Versace designs have always been bootlegged. Now it's Versace bootlegging the bootleg for the bootleggers to bootleg the bootleg.
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I'm trying to go with the flow, which is not what I used to do. I used to try to micromanage my career choices.
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I think that what happens for many Christians is, they accept their particular faith, they accept it to be true, and they stop examining it. Consequently, because it's already accepted to be true, they don't examine other people's faiths... That, I think, is not healthy for a person of any faith.
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You can hit as many revolutions as you want, but women are always going to wear uncomfortable shoes that look good.
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'I don't want to grow up', Tom Waits said it. I live it. I put myself in a position to be a kid as long as I want to. I play loud music and scream for a living.
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Teenagers crave independence. The more self-suf-ficient we make them feel, the less hostile they are toward us.
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I suppose the most radical part of my teaching at present is that love is not a feeling. Everybody suffers from love, or the fear of it, or the lack of it. Why? Why is love so universally and inevitably heart – breaking, whether it be through the end of a love affair, the death of a loved one or being locked in with the habitual casualness or grim indifference of a partner? The answer is because we've been taught and conditioned by the world to believe that love is a feeling.
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That is the accursed thing about small surroundings -- they make the soul small.
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When your young and hungry and nobody's ever really accepted you because of your color and class, the hurt of your own family having cast you out in the first place still inside you somewhere, you dance hard because there is no other way to live, and when opportunity knocks its more of an abduction than a housecall.
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Who is left in the ghetto is the one man in a thousand in any age, in any culture, who through some mysterious workings of force within his soul will stand in defiance against any master. He is that one human in a thousand whose indomitable spirit will not bow. He is the one man in a thousand whose indomitable spirit cannot bow. He is the one man in a thousand who will not walk quietly to Umschlagplatz. Watch out for him, Alfred Funk, we have pushed him to the wall.
