Alessia Cara Quotes
Quotes to Explore
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I've kept a journal since I was 15. And I feel like it's been crucial to who I've become and trying to maintain stuff, a sense of who I am just for myself and not for other people.
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Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.
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If you ask the fish whether they'd rather have an oil spill or a season of fishing, I wouldn't be surprised if they'd vote for another blowout.
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Self-education is, I firmly believe, the only kind of education there is.
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I didn't do my work for money or prizes - only for the excitement of discovery.
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I've learnt some important lessons: I never rely on the opinion of one doctor alone. I do my own research; I read up and am ready with questions I need answered.
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The only rule is there's only one rule: no rules.
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The reduction in compassion that happens when we're all behind computer screens is not good for the world.
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I'm awkward at these things. Just being nominated for an Academy Award for Best Supporting Actor for Karate Kid was a real surprise and I was a little uncomfortable.
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I'm proud of my work and how far I've come, and I'm proud of the way that I did it.
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When I first started, it was really an innocent response to the needs of women in rural areas. When we started planting trees to meet their needs, there was nothing beyond that. I did not see all the issues that I have to come to deal with.
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Home life is a foreign environment for most guys. So it's natural to show them being idiots at home.
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I'm happy to say I'm a feminist. Being a feminist is just believing in equal rights. Man, woman, gay, straight, black, white - we're all in it together.
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The best way to use the gold of the Redeemer is for the redemption of those in peril.
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I don't think that the Left has a monopoly on bad ideas. I don't think the Right has a monopoly on good ideas.
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I think I rely on my talent more than my brain sometimes.
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I work a lot of conditioning and stamina.
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Don't get in arguments with your coaches. If you have a certain opinion, express it to the best of your ability. But don't get on his bad side.
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You take responsibility for us all. Without ever waiting to be told.So do all good people. That's what it means to be a good person.
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We know that Elijah did return—at least twice—after Malachi's promise. At Christ's transfiguration, Elijah appeared on the mount to Peter, James, and John. At the Kirtland Temple, April 3, 1836, Elijah appeared to the Prophet and Oliver Cowdery and said, 'The keys of this dispensation are committed into your hands.'
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People say you need to be strong, smart, and lucky to survive hard times, war, a natural disaster, or physical torture. But I say emotional abuse—anxiety, fear, guilt, and degradation—is far worse and much harder to survive.
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As a historian, I am struck by a certain consistency among otherwise independent witnesses in placing Mary Magdalene both at the cross and at the tomb on the third day. If this is not a historical datum but something that a Christian storyteller just made up and then passed along to others, how is it that this specific bit of information has found its way into accounts that otherwise did not make use of one another? Mary’s presence at the cross is found in Mark (and in Luke and Matthew, which used Mark) and also in John, which is independent of Mark. More significant still, all of our early Gospels—not just John and Mark (with Matthew and Luke as well) but also the Gospel of Peter, which appears to be independent of all of them—indicate that it was Mary Magdalene who discovered Jesus’ empty tomb. How did all of these independent accounts happen to name exactly the same person in this role? It seems hard to believe that this just happened by a way of a fluke of storytelling. It seems much more likely that, at least with the traditions involving the empty tomb, we are dealing with something actually rooted in history.
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People compare me to Angelina Jolie, and she's so serious and stoic. I'm the opposite.
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Once you put songs out, they're not yours anymore. They're everyone else's.
