Leonardo DiCaprio Quotes
We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.
Quotes to Explore
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I see no reason to hide who I am or what I look like.
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Being nervous isn't always the worst thing for me.
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A historical romance is the only kind of book where chastity really counts.
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Kevin Hart. He's the man! I like his style. He's short, so I can relate. All the stories he tells are real. I respect that, and he's just a really funny dude - great comedy instincts. To do stand-up on a stage for an hour and tell stories and make people laugh is incredible.
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I'm not a monarchist. But I'm English. And I have an irrational emotion for my country.
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On the other hand, all kinds of adventurous schemes to add security checkpoints to subway and bus systems have been circulating since the London attacks. This is nonsense. No one can guaranty 100 percent security.
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On many different singles, I was able to marry my music with rappers who understood the natural bond between us.
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By the usual reckoning, the worst books make the best films.
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I love adventure sports. And, I love cooking.
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I would like to do a duet with Taylor Hanson, because I have loved Hanson since I was 8.
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Pfft, I hate Christmas Day. It's for children and families. Not for people like me.
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It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
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Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
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I love the Coen brothers. They're so brilliant, and they always surprise you in one way or another. 'A Serious Man' was awesome. I like stuff like that, that kind of throws you for a loop. It takes you on a journey that is unexpected.
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You look at a horse, and he's such a majestic, beautiful, powerful creature that you can't not be impressed. I love scraping the water off them when I wash them down because you go all round the contours, and its muscle and body, and you just think, 'Ooh, isn't this a magnificent creature.' You're touching it, and it's just solid, carved muscle.
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I also love the zombie genre, my zombie fandom going way back to 'Night of the Living Dead.' And 'The Walking Dead' is truly the ultimate representation of that sensibility in the comic book genre.
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I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
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According to the perverse aesthetics of artistic guilty pleasure, certain books and movies are so bad - so crudely conceived, despicably motivated and atrociously executed - that they're actually rather good.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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It is when I am convinced about my character that I can do justice to that role.
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'Welcome To New York' is one of those songs that, with just one single radio play, will make at least 10 New Yorkers move to Marfa, Texas.
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My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
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Hombres y cosas, suben, bajan, se alejan, se acercan. Todo es una comedia de distancias.
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We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.
