Les Claypool Quotes
Quotes to Explore
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.
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If you start lifting weights, you will expect to put weight on, as muscle is heavier than fat. But you have to look more at your body shape - you will get heavier - but you might get smaller and heavier at the same time, which is fine. And it doesn't really matter what you weigh as long as you are happy with your shape and size!
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This is how it has been since time began: If you want to make something really worthwhile and true, then you have to suffer for it.
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Country music is three chords and the truth.
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I love Winston Churchill; I think he had the grace of coming and the grace of leaving - when things were hard he was there, and when it was time to leave, he left.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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I'm going to put music out when I feel like it's ready.
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I was in prison with pretty much the who's who of the jihadist and Islamist scene of Egypt at the time, and Egypt was the cradle of Islamism for the world - it's where it began and where jihadism began as well.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
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It is high time that the Palestinian people restore their freedom and independence. It is high time that the decades, the long decades of suffering and pain would stop.
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I just do what I'm here for and that's to make that music.
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The winter solstice has always been special to me as a barren darkness that gives birth to a verdant future beyond imagination, a time of pain and withdrawal that produces something joyfully inconceivable, like a monarch butterfly masterfully extracting itself from the confines of its cocoon, bursting forth into unexpected glory.
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It takes time and energy, and if I'm working, then I'd rather flop in front of the telly than put on a tiny dress and work out how to get myself to God knows where. I mean, lazy some would call it.
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Taxi drivers used to ask me what kind of music I did, and I'd say, 'Well, it's kind of jazz, soul, classical' - but that makes no sense to anyone.
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Giving someone a one-time stimulus check, or a one-time tax cut that expires doesn't allow the predictability that business needs.
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To me it's all about textures, and that's the side of music that I'm finding really exciting. I feel like it's one of the only parts of music that mankind hasn't fully discovered yet.
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I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
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As a young physician in the mid-'80s, caring for people who had contracted H.I.V., I lost two of my patients to suicide at a time when the virus was doing very little harm to them. I have always thought of them as having been killed by a metaphor, by the burden of secrecy and shame associated with the disease.
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My mom went to that same doctor and got a butt lift. It's a little too lifted, I think, alright. Now every time she farts only dogs can hear it.
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The goal of terror is not traditional territorial enlargement; rather the war target of the terrorist is the dismemberment of the will of the community it terrorizes.
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I came along in the '60s having absorbed as much as I could up until then and added my own tastes and search into the equation. I guess that's how I see 'Now He Sings, Now He Sobs' in relation to the development of jazz in general.
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I have a very difficult time describing my music.
