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I think the idea of mixing luxury and mass-market fashion is very modern, very now - no one wears head-to-toe designer anymore.
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Nicey nicey just doesn't do it for me.
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It's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.
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I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
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You can only go forward by making mistakes.
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These beautiful models were walking around in the room, and then suddenly this woman who wouldn’t be considered beautiful was revealed. It was about trying to trap something that wasn’t conventionally beautiful to show that beauty comes from within.
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If you're lucky enough to use something you see in a dream, it is purely original. It's not in the world - it's in your head. I think that is amazing.
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I came to terms with not fitting in a long time ago. I never really fitted in. I don't want to fit in. And now people are buying into that.
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I can design a collection in a day and I always do, cause I've always got a load of Italians on my back, moaning that it's late.
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I find beauty in the grotesque, like most artists.
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I am an avid follower of the news, and sometimes you just can't take any more war, any more disasters, and you want to remind yourself there's beauty in the world. I wanted to show a more poetic side to my work. It was all about... a feeling of sadness, but in a cinematic kind of way. I find beauty in melancholy.
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I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era.
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The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody.
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Having money hasn't changed me. If anything it's made my life worse. People come up to you who knew you before you were famous and who didn't come up to you before. I'm a clever designer. I can do what the client wants. But I'm prepared to forget about money if it affects my creativity because, remember, I started off with nothing. And I can do that again.
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Beauty can come from the strangest of places, even the most disgusting of places.
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Fashion should be a form of escapism, and not a form of imprisonment.
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I don’t want to do a cocktail party. I’d rather people left my shows and vomited.
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There is something sinister, something quite biographical about what I do - but that part is for me. It's my personal business. I think there is a lot of romance, melancholy. There's a sadness to it, but there's romance in sadness. I suppose I am a very melancholy person.
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Clothes and jewellery should be startling, individual. When you see a woman in my clothes, you want to know more about them. To me, that is what distinguishes good designers from bad designers.
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Women should look like women. A piece of cardboard has no sexuality.
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I have been skiing since I was in school, but I'm not great. I am never going to break an Olympic record, I just want to go down the hills, on red or blue runs, but not... black.
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I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint.
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What we do have in London is a fantastic pool of talent coming through the colleges. We are the fashion world's incubator.
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I'm about what goes through people's minds. The stuff that people don't want to admit or face up to. The shows are about what's buried in people's psyches.