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There’s blood beneath every layer of skin.
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Fashion should be a form of escapism, and not a form of imprisonment.
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It's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.
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I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
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These beautiful models were walking around in the room, and then suddenly this woman who wouldn’t be considered beautiful was revealed. It was about trying to trap something that wasn’t conventionally beautiful to show that beauty comes from within.
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The police need to come down to street level.
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I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era.
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I hate it when people romanticize Scotland.
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Nicey nicey just doesn't do it for me.
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I don’t want to do a cocktail party. I’d rather people left my shows and vomited.
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There is something sinister, something quite biographical about what I do - but that part is for me. It's my personal business. I think there is a lot of romance, melancholy. There's a sadness to it, but there's romance in sadness. I suppose I am a very melancholy person.
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If you're lucky enough to use something you see in a dream, it is purely original. It's not in the world - it's in your head. I think that is amazing.
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I am an avid follower of the news, and sometimes you just can't take any more war, any more disasters, and you want to remind yourself there's beauty in the world. I wanted to show a more poetic side to my work. It was all about... a feeling of sadness, but in a cinematic kind of way. I find beauty in melancholy.
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I can design a collection in a day and I always do, cause I've always got a load of Italians on my back, moaning that it's late.
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You can only go forward by making mistakes.
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Clothes and jewellery should be startling, individual. When you see a woman in my clothes, you want to know more about them. To me, that is what distinguishes good designers from bad designers.
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Beauty can come from the strangest of places, even the most disgusting of places.
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My relationships with producers or photographers - these are relationships that took years.
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Having money hasn't changed me. If anything it's made my life worse. People come up to you who knew you before you were famous and who didn't come up to you before. I'm a clever designer. I can do what the client wants. But I'm prepared to forget about money if it affects my creativity because, remember, I started off with nothing. And I can do that again.
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I find beauty in the grotesque, like most artists.
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The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody.
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I came to terms with not fitting in a long time ago. I never really fitted in. I don't want to fit in. And now people are buying into that.
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I have been skiing since I was in school, but I'm not great. I am never going to break an Olympic record, I just want to go down the hills, on red or blue runs, but not... black.
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I always wanted to be a designer. I read books on fashion from the age of 12.