Larry Wall Quotes
Quotes to Explore
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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If I was a bajillionaire, I would spend a lot of time at Barneys just buying all kinds of great things all the time. I would have so many black cashmeres it would be out of control. I like the way nice things feel very much.
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We were like a white family from the 1920s or something. My parents had this bizarre, different way of looking at things from the people that surrounded us. I went to an all-Mexican grade school and an all-black high school, and not many people in those places liked the same stuff as me.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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I think that music and visual arts can complement themselves nicely. They do different things - the music forces you into a different mood and perspective whilst the visual stuff can engage you in a more direct cognitive manner.
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The older you get, the things that you thought you wanted to do when you were younger, you're checking them off your list because you no longer want to them.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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This whole idea that we address environmental issues by not doing stuff just doesn't work.
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I do periodically ride a bus with my kids.
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When I'm in the midst of finishing a book, I can be working around the clock.
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I do not want to be bored listening to music that is muffled and known only to the poet himself.
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Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek.
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I clean my face twice a day with cold water and don't go to sleep with make-up on.
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The right of petition, I have said, was not conferred on the People by the Constitution, but was a pre-existing right, reserved by the People out of the grants of power made to Congress.
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I'm big into not drawing conclusions for people. I think that's what makes for the most exciting, compelling films. I get bored when the politics of the filmmaker are the subject of the film that I see.
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When I first came out, I was a film student, and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did.
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Working with a bunch of actors is like trying to tune each violin.
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With a play, there's more of a definable arc because of the nature of theater: You know, there's no editing, so there's something more natural about the arc a character follows in a play. I think theater is more an actor's medium, whereas film is more a director's medium, because that's who controls the final feel of the film.
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I love sampling, and RZA loves sampling, too.
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I think I'm better than I was in my younger days, because I'm exploring deep lyrical material, and I've been sober for a while now.
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I've gotten my personal life all the way intact and made sure that it's straight. Without that, you have no foundation. Your building is going to crumble.
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When I was younger, on weekends, my mom would make us pancakes with our initials on them and then a tiny cup of coffee. I remember at 10 sneaking my own coffee and pouring a ton of sugar in and going up to the playroom and drinking it.
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It's the same thing as a primitive of Africans, Indians, nomads or whatever - when they start getting up and doing their ritual and doing the dance, it's just what's coming through. It's the spirit. Rock 'n' roll is still primitive.
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Perl will always provide the null.
