Alexandra Bracken Quotes
In the years between 'Afterlight' and 'Legacy,' we see a Zu who has watched all of her older friends head out into the world to do meaningful work while she's made to wait and hang back because of her age. It reinforces a feeling in her that she's falling further and further behind and won't ever catch up to them.
Quotes to Explore
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There is no hope unmingled with fear, and no fear unmingled with hope.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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Our number one priority is to spend every peso possible to include those who are currently excluded.
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I've never had a study in my life. I'm like Jane Austen - I work on the corner of the dining table.
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In some ways, with the security challenges this country has faced, we have had to put in rules and regulations for business to be able to sustain their growth and create jobs.
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I feel that everyone has a right to be insane.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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When something is at risk or in danger or about to be lost, those are the moments you start to realize how much it means to you.
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I'll tell you what's helped me my entire life. I look at baseball as a game. It's something where people can go out, enjoy and have fun. Nothing more.
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You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.
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There have been weeks when I've not been hydrating properly or not eating properly or training too hard. When I do that, I don't feel good. It has to be the exact formula.
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I can't even be around children. It's a problem. My ovaries start screaming.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
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If the amount of hours spent on FarmVille were spent on actual farming, imagine what we could achieve.
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I have always enjoyed the company of women and have formed deep and long-lasting friendships with many of them.
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Pain is the most private experience, but its causes, whether natural or man-made, demand public accounting.
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I missed the television train at some point. I don't know what happened, but now I've created a complex about it. I'm missing out on what everybody's watching, and now I can't even begin to think about starting to watch a television show because it's been so long. I don't even have a Netflix account.
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America is two Mack trucks colliding on a superhighway because all the drivers are on amphetamines.
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I can handle a lot of work. I've always been able to. I'm a very focused individual. I come to my studio at about 7:30 in the morning and exit almost 5:00 P.M. In that time, those eight or nine hours, it's kind of laser focus on whatever I'm working on. There aren't really any distractions or anything.
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I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident.
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It hasn't always been easy, but you get to a point where you're not doing the solo stuff with any kind of expectation in terms of commercial or a business outcome, you're doing it because you believe in this.
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If we're going to make a real dent in the bullying issue, we're going to have to address the bullies themselves: find ways to help empower them that don't include allowing them to be predators or to simply be punished.
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In the years between 'Afterlight' and 'Legacy,' we see a Zu who has watched all of her older friends head out into the world to do meaningful work while she's made to wait and hang back because of her age. It reinforces a feeling in her that she's falling further and further behind and won't ever catch up to them.
