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I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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People may expect too much of journalism. Not only do they expect it to be entertaining, they expect it to be true.
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Usually when I drank too much, I could guess why I did so, the objective being to murder a state of consciousness that I didn't have the courage to sustain--a fear of heights, which sometimes during the carnival of the 1960s accompanied my attempts to transform the bourgeois journalist into an avant-garde novelist. The stepped-up ambition was a commonplace among the would-be William Faulkners of my generation; nearly always it resulted in commercial failure and literary embarrassment.
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Construed as a means instead of an end, history is the weapon with which we defend the future against the past.
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The mystical nature of American consumption accounts for its joylessness. We spend a great deal of time in stores, but if we don't seem to take much pleasure in our buying, it's because we're engaged in the acts of sacrifice and self-definition. Abashed in the presence of expensive merchandise, we recognize ourselves . . . as suppliants admitted to a shrine.
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As a child growing up in the precincts of wealth, and later as a college student, newspaper reporter and resident of New York's Upper East Side, I got used to listening to the talk of financial killings and sexual misalliance that animates the conversation of the rich and the familiars of the rich.
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Once having proclaimed our loyalty to the abstract idea that all men are created equal, we do everything in our power to prove ourselves unequal. Among the world's peoples, none other belongs to so many clubs, associations, committees and secret societies.
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Among all the emotions, the rich have the least talent for love. It is possible to love one's dog, dress or duck-shooting hat, but a human being presents a more difficult problem. The rich might wish to experience feelings of affection, but it is almost impossible to chip away the enamel of their narcissism. They take up all the space in all the mirrors in the house. Their children, who represent the most present and therefore the most annoying claim on their attention, usually receive the brunt of their irritation.
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If you wear a suit, you can talk to anybody.
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The survival of American democracy depends less on the size of its armies than on the capacity of its individual citizens to rely... on the strength of their own thought.
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As many as six out of ten American adults have never read a book of any kind, and the bulletins from the nation’s educational frontiers read like the casualty reports from a lost war.
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Power broken into a thousand pieces can be hidden and disowned. If no individual or institution possesses the authority to act without of everybody else in the room, then nobody is at fault if anything goes wrong.
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Most of the ladies and gentlemen who mourn the passing of the nation's leaders wouldn't know a leader if they saw one. If they had the bad luck to come across a leader, they would find out that he might demand something from them, and this impertinence would put an abrupt and indignant end to their wish for his return.
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Never in the history of the world have so many people been so rich; never in the history of the world have so many of those same people felt themselves so poor.
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Money is like fire, an element as little troubled by moralizing as earth, air and water. Men can employ it as a tool or they can dance around it as if it were the incarnation of a god. Money votes socialist or monarchist, finds a profit in pornography or translations from the Bible, commissions Rembrandt and underwrites the technology of Auschwitz. It acquires its meaning from the uses to which it is put.
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Most American cities shop to their best advantage when seen from a height or from a distance, at a point where the ugliness of the buildings dissolves into the beauty of an abstraction.
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Further strengthenings of the self-centered instinct for survival recruit even greater numbers of people into some sort of ring of fellowship (church or gender, red state or blue) by populating the terra incognita outside the ring with enough barbarians to verify the existence of a civilization within--to define the preferred stock by what, as all good people agree, it decidedly is not.
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The future turns out to be something that you make instead of find. It isn't waiting for your arrival, either with an arrest warrant or a band, nor is it any further away than the next sentence, the next best guess, the next sketch for the painting of a life portrait that might become a masterpiece. The future is an empty canvas or a blank sheet of paper, and if you have the courage of your own thought and your own observation, you can make of it what you will.
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Now that Mr. Carter has made a book of his diary, an adoring memoir entitled Keeping Faith, the notes read like a collection of letters sent from scout camp.
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The rich, like well brought up children, are meant to be seen, not heard.
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More than illness or death, the American journalist fears standing alone against the whim of his owners or the prejudices of his audience. Deprive William Safire of the insignia of the New York Times, and he would have a hard time selling his truths to a weekly broadsheet in suburban Duluth.
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The substitution of meaning accounts for the grasping of misers as well as the extravagance of spendthrifts. Karl Marx well understood this peculiar transformation of flesh into coin.
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But the line of thought that I'd been chasing for several days was implicit in the ruins of the old Roman Empire, which gradually destroyed itself by substituting the faith in a legion of miraculous words for the strength of armies and the weight of walls.
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The more prosperous and settled a nation, the more readily it tends to think of war as a regrettable accident; to nations less fortunate the chance of war presents itself as a possible bountiful friend.