Lewis H. Lapham Quotes
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The figure of the enthusiast who has just discovered jogging or a new way to fix tofu can be said to stand or, more accurately, to tremble on the threshold of conversion, as the representative American.
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Nobody suffers the pain of birth or the anguish of loving a child in order for presidents to make wars, for governments to feed on the substance of their people, for insurance companies to cheat the young and rob the old.
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We might make a public moan in the newspapers about the decay of conscience, but in private conversation, no matter what crimes a man may have committed or how cynically he may have debased his talent or his friends, variations on the answer Yes, but I did it for the money, satisfy all but the most tiresome objections.
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Unlike any other business in the United States, sports must preserve an illusion of perfect innocence. The mounting of this illusion defines the purpose and accounts for the immense wealth of American sports. It is the ceremony of innocence that the fans pay to see - not the game or the match or the bout, but the ritual portrayal of a world in which time stops and all hope remains plausible, in which everybody present can recover the blameless expectations of a child, where the forces of light always triumph over the powers of darkness.
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Whether lawyer, politician or executive, the American who knows what's good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
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Power broken into a thousand pieces can be hidden and disowned.
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Anti-utopianism continues to suffuse our culture...Today few imagine that society can be fundamentally improved, and those who do are seen as at best deluded, at worst threatening.
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His administration apparently means to define itself as a television program instead of a government...I don't know if it can please both its sponsors and its intended audience.
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Talk about the flag or drugs or crime (never about race or class or justice) and follow the yellow brick road to the wonderful land of consensus. In place of honest argument among consenting adults the politicians substitute a lullaby for frightened children: the pretense that conflict doesn't really exist, that we have achieved the blessed state in which we no longer need politics.
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Since the eighteenth century the immense expansion of the worlds wealth has come about as a result of a correspondingly immense expansion of credit, which in turn has demanded increasingly stupendous suspensions of disbelief.
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But I had forgotten about the seven bowls of God's wrath stored in the minds of some of the unhappier prophets on the reactionary right,...
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If in the well and truly made martini DeVoto finds "water of life" and the blessing to the spirit, so also DeVoto's The Hour brings to its readers the breath of life and a vision of themselves made generous, indomitable and wise.
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History is not what happened 200 or 2,000 years ago; it's a story about what happened 200 or 2,000 years ago.
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Unlike every other other nation in the world, the United States defines itself as a hypothesis and constitutes itself as an argument.
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Well aware of both the continuity and contingency of human affairs, Adams and Madison searched the works of Tacitus and Voltaire and Locke like carpenters rummaging through their assortment of tools, knowing that all the pediments were jury-rigged, all the provisional, all the alliances temporary.
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Money is like fire, an element as little troubled by moralizing as earth, air and water. Men can employ it as a tool or they can dance around it as if it were the incarnation of a god. Money votes socialist or monarchist, finds a profit in pornography or translations from the Bible, commissions Rembrandt and underwrites the technology of Auschwitz. It acquires its meaning from the uses to which it is put.
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I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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Most American cities shop to their best advantage when seen from a height or from a distance, at a point where the ugliness of the buildings dissolves into the beauty of an abstraction.
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A society that presumes a norm of violence and celebrates aggression, whether in the subway, on the football field, or in the conduct of its business, cannot help making celebrities of the people who would destroy it.
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The genius of capitalism consists precisely in its lack of morality. Unless he is rich enough to hire his own choir, a capitalist is a fellow who, by definition, can ill afford to believe in anything other than the doctrine of the bottom line. Deprive a capitalist of his God-given right to lie and cheat and steal, and the poor sap stands a better than even chance of becoming one of the abominable wards of the state from whose grimy fingers the Reagan Administration hopes to snatch the ark of democracy.
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Democracy is born in dirt, nourished by the digging up and turning over as much of it as can be brought within reach of a television camera or subpoena.
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The future is an empty canvas or a blank sheet of paper, and if you have the courage of your own thought and your own observation you can make of it what you will.
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Seeking the invisible through the imagery of the visible, the Americans never can get quite all the way to the end of the American dream.
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Tardiness is next to wickedness in a society relentless in its consumption of time as both a good and a service--as tweet and Instagram, film clip and sound bite, as sporting event, investment opportunity, Tinder hookup, and interest rate--its value measured not by its texture or its substance but by the speed of its delivery, a distinction apparent to Andy Warhol when he supposedly said that any painting that takes longer than five minutes to make is a bad painting.