Alexandra Kleeman Quotes
I think of workshopping as a way to read your own work through the eyes of others - a scene that you write gets refracted by those around you, and suddenly you have several different readings of it, each with a different momentum for how it might be retooled or reshaped.
Quotes to Explore
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We must continue building in all corners of the Land of Israel, with determination and without being confused.
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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Kings are more prone to mistrust the good than the bad; and they are always afraid of the virtues of others.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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I've wanted to be an actor for such a long time that I haven't had anything else in my thoughts. I think my family would have quite liked me to be a lawyer.
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Life is made up of marble and mud.
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As for the device we now call a TV or a cable box, I want it to be fast with a clean interface and seamlessly upgradeable to the latest software. I want it to be the primary source of all TV, not an ancillary device.
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I like playing with that space between laughter and discomfort where your discomfort can also make you laugh, and you're confused about the mixed feelings. That's challenging, and I think that's what makes for some of the best art.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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I've always felt a bit hard done by in England – you know, I've won the Bisto three times in Ireland, but it has felt like nobody has even heard of me in my home country.
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We can see cities during the day and at night, and we can watch rivers dump sediment into the ocean, and see hurricanes form.
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I bought a company in the mid-'90s called Dexter Shoe and paid $400 million for it. And it went to zero. And I gave about $400 million worth of Berkshire stock, which is probably now worth $400 billion. But I've made lots of dumb decisions. That's part of the game.
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I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.
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Men are sort of doofuses about sunscreen, and for the most part, women are more inclined to take better care of themselves, but a reminder is always good for everyone.
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In January '77 I went out to LA and have been here 26 years.
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But yet I don't think I should be labeled just a black quarterback, because it's bigger things in this sport that need to be accomplished.
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I left home at 17 and I've been on the road ever since.
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I think people deny themselves by putting themselves into categories.
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It is imperative that one approaches a spiritual master, for by such association one proportionately develops his consciousness towards the Supreme Personality of Godhead.
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I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.
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When I'm doing a one-on-one with somebody, I have to speak in a language that that person can understand, using a vocabulary that they instantly get, and I always have to feel my way around to figure that out. It's a lot of fun, and it's also really challenging - challenging in a different way from performing.
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I think of workshopping as a way to read your own work through the eyes of others - a scene that you write gets refracted by those around you, and suddenly you have several different readings of it, each with a different momentum for how it might be retooled or reshaped.
