Kyra Sedgwick Quotes
Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
Quotes to Explore
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I don't want to be a bust.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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When the whole world is silent, even one voice becomes powerful.
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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My characters hope for better lives.
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I'm not the girl next door.
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If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice, or representation.
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My bag always weighs a ton. I carry my whole bathroom with me. You never know what's going to happen in a day!
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With all of their benefits, and there are many, one of the things I regret about e-books is that they have taken away the necessity of trawling foreign bookshops or the shelves of holiday houses to find something to read. I've come across gems and stinkers that way, and both can be fun.
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I'm lucky to come from a very musical family. If you put a record on and turn the volume up, there's a pretty good chance you'll have a lot of people dancing very quickly.
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I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.
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It is most pleasant to commit a just action which is disagreeable to someone whom one does not like.
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I'm not trying to be a star on TV. I am who I am, which I hope comes out. I have a little bit of a different sense than most people know, and it takes a while to get used to it.
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The only people who should really sin are the people who can sin and grin.
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I've never really worked on them. Just once in a while one hits me and makes me laugh. My Al Gore was sort of like a gay Gomer Pyle.
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One can only imagine how Iranians or Afghans would deal with unelected judges moving to de-Islamicize their nations.
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I can touch my toes, but I bend in a strange way. I'll never be in the Olympics.
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Here is the difference between Dante, Milton, and me. They wrote about hell and never saw the place. I wrote about Chicago after looking the town over for years and years.
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I just want someone who will love me for me and not judge me for my flaws.
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I'm confident in my strengths. I'm prepared to jump any hurdle.
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May I say, if you were suddenly put into a woman's body, wouldn't you be slightly interested in your breasts, and why people look at certain parts of you, and why certain parts move like they do?
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Character development is what I value most as a reader of fiction. If an author can manage to create the sort of characters who feel fully real, who I find myself worrying about while I'm walking through the grocery store aisles a week later, that to me is as close to perfection as it gets.
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Any character, for me, always comes together in the hair, makeup, and wardrobe. Shoes especially. For some reason, shoes really do it for me because they help me figure out how the character walks.
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Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
