Lillian Gordy Carter Quotes
Middle age is when a guy keeps turning off lights for economical rather than romantic reasons.
Quotes to Explore
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I'm typically single. I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
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I am a hopeless romantic and I love to spoil my girlfriends.
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It was really in the Golden Age, between the two world wars, when the pure detective story - of which the locked room mystery is really the ultimate form - became popular.
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The thing about women playing boys is that we're not going to age, and we're not going to go through puberty in the middle of a long-running series.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I've been dancing since the age of two. I don't really remember it, because I was little, but my mom signed me up and would put me in cute costumes. A lot of little girls get into dancing, but I loved it so much that I kept doing it.
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I'm a lobbyist and had a career lobbying. The guy who gets elected or the lady who gets elected president of the United States will immediately be lobbying. They would be advocating to the Congress, they'll be lobbying our allies and our adversaries overseas. They'll be asking the business community and labor unions.
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As a young woman, I had been seeking experience, knowledge, truth, the stuff writers need in their work, but when the artist actually kicked in, I came to understand that in this romantic relationship I was not free to be myself, or to find myself, in order to begin the true work I needed to do.
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I wanted to be a forest ranger or a coal man. At a very early age, I knew I didn't want to do what my dad did, which was work in an office.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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I always think the most romantic books or films are the ones where the romance doesn't happen, because it makes your heart ache so much watching it.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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Communication isn't just directing a guy on what to do: it's passing the information along to the guy that's next to you, and that's where we make the calls come to life.
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In fact, my courage and my bravery at a young age was the thing I was bullied for, a kind of 'Who do you think you are?'
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Daniel Day-Lewis is one of the greatest actors of our age; he's like Olivier. He's one of those people who can take you into a place where no one else can take you.
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Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
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I don't like the NFL, where I think it's a problem: some guy scores a touchdown, now he's got some kind of dance that he planned. To me, I just want to change the channel.
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As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
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It's important for people to realize I don't want to be the It guy. I want to crawl before I walk. I want to learn about things before I jump into them.
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I have lots of hopes for black actors in general, whether they be on TV or on stage or in movies, and that is that we move beyond the tokenism of what it means to be black in a particular set of circumstances.
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This is not Tolstoy. I don't want to know what critics and professors think of what I'm writing. It might hurt my feelings.
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I only live one time.
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Middle age is when a guy keeps turning off lights for economical rather than romantic reasons.
