Alia Bhatt Quotes
Quotes to Explore
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Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing.
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
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I started taking ballet lessons when I was three and a half and I still take dance classes.
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I love the script and I just thought it was a great role. Like I say, it's like this - the script is like this sad, funny, desperate love song to the lost American man.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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At first, I did have that thought, like, 'Oh crap, what are we going to do after?' Then I realized 'Girl in a Country Song' was an honest, truthful song, and we were telling our truth, and that's all we have to do - write songs that are true and tell our stories.
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When I was a senior, I got accepted into the Julliard School for Dance, but ultimately decided to move to L.A. to act, so that was a fun conversation with the parents. I truly have some of the greatest parents ever.
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I try to tell a story musically in a song.
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I think maybe short stories operate in some of the same ways that poems do. They frame single or small moments and elevate those. They give you insight into more minor dramas maybe, dramas between smaller groups of people.
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I'm a really big advocate of ethical fashion. I actually have a travelling boutique called Maison de Mode, which is all about ethical fashion. I also like Maiyet from Paris. They're very Celine-esque in their silhouettes. I love their back story, too: they work with orphans in Colombia and India.
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Obscurity is just obscurity. There's no romance in obscurity.
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Doing things in my day was simple: you either signed to a big label or you signed to a very small label, and you worked with that one, and then they eventually signed you on to a big one.
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Whenever I like a new song, I play it on loop and dance to it. That's my therapy.
