Alia Shawkat (Alia Martine Shawkat) Quotes
There are definitely a lot of roles I didn't get based off of the way I look, but I'm not going to let that stop me. I'm going to write stories for myself or work with filmmakers who want to tell stories about real people.

Quotes to Explore
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You are rich if and only if money you refuse tastes better than money you accept.
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Hip-hop is a vehicle.
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What we ask of the developed countries is to let the Third World find a third way.
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When you're told to go brief a United States senator on a covert operation, you go do it. And you trust the information isn't going to leak.
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I'm not trying to prove anything for the right or the left. Which gives me freedom to make jokes about either side, too.
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At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
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Reverence is fatal to literature.
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I have nothing to hide.
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Spending money is much more difficult than making money.
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I looked at Mick Jagger and Keith Richards and the boys up there thinking, I want to be that.
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Most people consider me an optimist because I laughingly state that I would take my last two dollars and buy a money belt.
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It was just really odd to be in a room with Ian McKellen sharing cucumber sandwiches.
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Pigeon racing is a lousy, greedy, and often unlawful activity. One thing that it is not is kind to birds.
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When I started at Ricci, I did street wear for very cool, young girls, but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.
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Many think kids have lots of time and few responsibilities. And that's just not true. They are stressed and under pressure.
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Equality for women is progress for all.
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In dwelling, live close to the ground. In thinking, keep to the simple. In conflict, be fair and generous. In governing, don't try to control. In work, do what you enjoy. In family life, be completely present.
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I've made it my mission to make movies starring African American actors and about the African American experience and put them in the mainstream. They're very universal stories I've told - every movie I've done.
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I'm attracted to stories of people who don't belong together, who embark on something and find themselves in places they don't belong.
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The wrists, the Achilles' tendons, and the neck are some of the weakest points of the human body, so a lot of people have phobias about those things. I can't deal with the undersides of wrists.
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I think I 'turn off' women. I've a kind of a weird personality. Women may think that I'm a mess.
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I didn't let anyone push me into things I didn't want to do where my career was concerned. So why did I crumble when it came to men?
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If you go to talk to Disney about anything related to Mickey Mouse, if you can even get the meeting, you're going to get 50 people in that room. That is the crown jewel of their brand, and so they protect it. And so for better or worse, the crown jewel of my legacy still remains Steve Urkel and Stefan Urquelle.
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There are definitely a lot of roles I didn't get based off of the way I look, but I'm not going to let that stop me. I'm going to write stories for myself or work with filmmakers who want to tell stories about real people.