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I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
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Personal relations are the important thing for ever and ever and not this outer life of telegrams and anger.
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Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die.
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Romance only dies with life. No pair of pincers will ever pull it out of us. But there is a spurious sentiment which cannot resist the unexpected and the incongruous and the grotesque. A touch will loosen it, and the sooner it goes from us the better.
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A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver - in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter.
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Science, when applied to personal relationships, is always just wrong.
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The hungry and the homeless don't care about liberty any more than they care about cultural heritage. To pretend that they do care is cant.
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The story of the Fall always fascinates me as a play ground, but I cannot find any profound meaning in it, because of my 'liberal' view of human nature: I cannot believe in a state of original innocence, still less in a profound meaning in it, and I am always minimising the conception and the extent of Sin and the sinfulness of sex.
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In these English farms, if anywhere, one might see life steadily and see it whole, group in one vision its transitoriness and its eternal youth, connect - connect without bitterness until all men are brothers.
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But Humanity, in its desire for comfort, had over-reached itself. It had exploited the riches of nature too far. Quietly and complacently, it was sinking into decadence, and progress had come to mean the progress of the Machine.
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Probable that I am now better than most people and as good as I ever shall be at this game, and can therefore get to know anyone I wish, provided I am not physically repellent. And perhaps this is why personal relationships no longer seem to me a serious branch of study.
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What puzzles me most is your criticism that he showed 'no sense of engagement'. I haven't met the expression before, and feel bound to comment on its totalitarian tang. Engagement not with the truth as the speaker apprehends it, but with the alleged opinion of the majority of listeners.
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It is so difficult – at least, I find it difficult – to understand people who speak the truth.
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Axiom: Novel must have either one living character or a perfect pattern: fails otherwise.
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Today 29-9-34 ion the garden, rockery side, looking up to the house where Bone was working, sky bluish, very gentle, I looked without theories or self consciousness. This happens very seldom, though I can prolong the delight if I prevent my engines from restarting.
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Human relations are impossible. When they are real they are uncomfortable, and when they are comfortable they are unreal. It was for the journey into solitude that the human soul was created.
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There's nothing like a debate to teach one quickness. I often wish I had gone in for them when I was a youngster. It would have helped me no end.
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He had known so much about her once -what she thought, how she felt, the reasons for her actions. And now he only knew that he loved her, and all the other knowledge seemed passing from him just as he needed it most.
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I only wish the poets would say this too: love is of the body; not the body, but of the the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul!
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Hardship is vanishing, but so is style, and the two are more closely connected than the present generation supposes.
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It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.
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No disease of the imagination is so difficult to cure, as that which is complicated with the dread of guilt: fancy and conscience then act interchangeably upon us, and so often shift their places, that the illusions of one are not distinguished from the dictates of the other.
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She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship.
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I had an interesting day's reading yesterday, with the sudden sensation of being in close contact with what I was reading. ... But as for reading how curious it is: all these books, their lore of the ages, waiting to be embraced but usually slipping out of one's nerveless hands on to the floor. When one reads properly it is as if a third person is present.