Linda Gray Quotes
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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I'm smart enough to know to work with smart people.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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I spend a lot of time talking to women interested in office about how they can make it work.
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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Most Muslim women know it is fear and curiosity that cause people to stare. They know it is ignorance and stereotypes that cause people to suppose that a piece of material covering the hair strips a woman of the ability to speak English, pursue a career, work a remote control.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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My mother raised us to think that if we worked hard, and if we put our end of the bargain in, it would work out OK for us.
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I would recommend going out for more independent films. You can get bigger roles and really work your acting chops and build a reel.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I'm an immigrant myself. It was a tough road to come to America and work.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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We need to incorporate that age-old concept of redemption into the work that we do in the criminal justice system in California.
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I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
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I first moved to Denver to work with a group called YWAM, 'Youth With a Mission.' I was a kid - I was 18 - and did some work with homeless people. Really, trying to convert people is sort of an awful position to find yourself in, so I quickly, on my own, grew out of religious ideas.
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This has been my life for many years; one role feeds the other. It is a joy to be an artist, but it doesn't mean very much unless that work is somehow useful in some way and contributes to others.
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When you're 250 pounds, you can push more people around, but you can't move as fast or jump as high.
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A lot of people don't know what I do. In the industry they take credit for work because to some degree it makes them feel worthy or greater. I am not a ghostwriter 'cause it is on the CD covers who wrote and did what but people don't care about anything they can't see. The work gets unnoticed and the credibility goes untouched.
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I know you've been married to the same woman for 69 years. That is marvelous. It must be very inexpensive.
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I don't do fad things or diets - they don't work.
