Linda Gray Quotes
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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I'm smart enough to know to work with smart people.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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I spend a lot of time talking to women interested in office about how they can make it work.
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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Focus comes a lot more easily when you desperately want the results of your own work - nobody else is going to do it for you.
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Most Muslim women know it is fear and curiosity that cause people to stare. They know it is ignorance and stereotypes that cause people to suppose that a piece of material covering the hair strips a woman of the ability to speak English, pursue a career, work a remote control.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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My mother raised us to think that if we worked hard, and if we put our end of the bargain in, it would work out OK for us.
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I would recommend going out for more independent films. You can get bigger roles and really work your acting chops and build a reel.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I'm an immigrant myself. It was a tough road to come to America and work.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
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I first moved to Denver to work with a group called YWAM, 'Youth With a Mission.' I was a kid - I was 18 - and did some work with homeless people. Really, trying to convert people is sort of an awful position to find yourself in, so I quickly, on my own, grew out of religious ideas.
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When, you know, when you're playing basketball, you have to have confidence in your moves if they're gonna work.
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But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.
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We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.
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The Informe should no longer be the scene used to insult, beat, and criticize on the basis of preconfigured conceptions.
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So wearing a corset certainly changes your state of mind.
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I think Stella Tennant is amazing. And then I really loved all those '60s society models, like Edie Sedgwick.
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I don't do fad things or diets - they don't work.
