Amanda Burton Quotes
Forgotten was presented to me by the drama department at LWT as a concept and I found it immediately intriguing and very powerful. I was completely led by the power of the piece and its dramatic potential.
Quotes to Explore
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Broadway is really my life.
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I always wanted to do creative things, but I was really interested in entrepreneurship. My family comes from a very entrepreneurial culture, so business was always something I was interested in.
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We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.
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Quite honestly, if I were doing work related to a living being or historical being where there was visual or audio recordings available, I would find that extremely difficult because I don't know how you would avoid the process of mimicry. And mimicry, to me at any rate, is a very dull prospect.
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My mother has been the greatest influence on my life, morally. When I get right down to it, my mother and father are two people I can count on no matter what.
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My son, Wolfgang, plays drums, guitars and bass.
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Tyrants seldom want pretexts.
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Do not go where the path may lead, go instead where there is no path and leave a trail.
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I had one girl tell me last night that I'm the greatest thing ever, that she wants to aspire to be me. Just stuff like, 'You're my idol. I love you.' It's awesome. It's what it's all about.
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I would love the opportunity to create my own program. I feel like a TV show with a format of monologue with lots of sketches thrown in could be really fun. But you know, that may never happen. Minimally, I just want to keep making stand-up.
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Common wisdom dictates that the vice president should provide balance to the ticket by representing a different part of the country, another set of experiences, or a basketful of electoral votes.
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A filial son to his father can be a traitorous subject to his ruler.
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Unending was the stream, unending the misery, unending the sorrow.
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True expression is hard when performing opera. The problem is that opera relies on the dramatic context of the piece. It can be interpreted and represented, but there are guidelines; there is a vocabulary within the pieces that you must know objectively and reflect.
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I'm the youngest of five – three girls and two boys. There was one record player for the seven of us. It was good for me, because I got to hear everyone else's music.
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It is better to look ahead and prepare than to look back and regret.
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When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
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The issue of prayer is not prayer; the issue of prayer is God.
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I have an unending desire to be better and make myself a better person, better mother.
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I'm from my hood, and everybody knows me in my neighborhood, and that's cool, I can do what I want over there, but in other people's neighborhoods, I can't.
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If at the end of your first ten or fifteen years of fighting and working and feeling, you find you've written one line of one poem, you'll be very lucky indeed.
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The power of lying is much less than the power of what is not to be discussed.
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Forgotten was presented to me by the drama department at LWT as a concept and I found it immediately intriguing and very powerful. I was completely led by the power of the piece and its dramatic potential.
