Lindsay Davenport Quotes
Quotes to Explore
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We want to encourage people to talk to one another.
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And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.
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I'm not a sandwich store that only sells turkey sandwiches. I sell a lot of different things.
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I eat whatever I want, junk food included.
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There is no substitute to taking a lot of a catches as a youngster if you want to do slip catching - you've got to catch, catch, catch. And more than doing the normal stuff, you have to vary your catching - you've got to take some catches with the tennis ball, you got to take some closer, some further away.
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You'd be surprised how hard it can often be to translate an action into an idea.
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I was just as voracious a writer as I was a reader.
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I am a man who is noble. I have a good heart, but at the same time, I'm a little malicioso. There's no way of hiding that side.
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I do think that having the villain be a woman is just as feminine, because we're not just saying, 'Women are wonderful and made of marshmallows,' but women can be anything. They can be amazing superheroes, or they can be dastardly villains, and everything in between.
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Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
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Whaling was the oil business of its day.
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You got to have smelt a lot of mule manure before you can sing like a hillbilly.
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In 'Power Play', Finder uses the thriller structure to make pointed observations about gender in the workplace, the corporate caste system, and the true nature of risk in the global business environment.
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I have a theater background, so I like finding beats, working on things and having rehearsal.
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The essential conditions of everything you do must be choice, love, passion.
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Deep summer is when laziness finds respectability.
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I can say that I don't compete with others and only with myself because I do so many films.
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I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.
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Canada I don't trust. The Canadian government hates me more than the Japanese.
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When Morris Louis|Morris Louis showed in 1958, everybody like in 'Art News', by Tom Hess dismissed his work as thin, merely decorative. They still do. Louis is the really interesting case.. .In every sense his instincts were Abstract Expressionist, and he was terribly involved with all of that, but he felt he had to move, too.
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I believe in collaboration, which is why I work with others to make positive contributions of consequence, and why I have made a very clear and unwavering commitment to remain absolutely apolitical.
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When we read a book, we have a blurry image that's kind of physical but blurry. But we have an emotional image also. We have an emotional connection to the character.
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Physicists like to think that all you have to do is say, these are the conditions, now what happens next?
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I was never a prodigy.
