Mac DeMarco Quotes
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When people think of someone being prolific, it's like, 'He's got a vault with 5,000 songs in it,' or something, but I just kind of pick them out of the air when they float by.
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I don't want a job, and I think I've been trying my hardest to make sure I don't have a job.
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You kind of have to be like " What have you been working the last five years for? Why are you complaining?" It's essentially me talking myself out of being a crybaby indie rock butthead.
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I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.
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When we were in Beijing, they were all "it's an honor, you're playing at the oldest rock club in Beijing". And I was all "oh crazy how old is it?" And then were all: "5 years old."Asia is just very different.
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I like guitar. It just turned out that it's the instrument I learned to play. I have a lot of respect for it, and I'm learning more and more every day. For me, the classic band setup - guitars, drums, bass - will stay fresh forever. I don't know. I'm still into it.
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When you play a guitar for a long time, you get your hand oils in there; it starts feeling good and behaving, and you just don't want to mess with that.
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Neil Young is the prime example, the grand goal, if you will. He's still shredding, and he never lost his credibility.
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A lot of people assume I have a great hat collection, but kids steal my hats at every show. I've had all these hats that I've loved, but now they're in some little kids' possession. It's difficult to replenish. I don't think the kids realize this.
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Perfectionist? That's not something I am.
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Journalists say my music is "blue wave," or "dreamy," or "jangly-slacker jewel," and none of it really makes sense to me.
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The songs that I'm able to write are the songs I'm able to write, whatever they may be. The path I've cut for myself is pop music - love-y pop music. That's what I enjoy doing. And I don't think I'm going to get sick of it anytime soon.
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My grandma did opera singing for the better part of her life; she used to sing all over the place. My grandpa was a sax player, and he used to travel all over the place, too.
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Usually when festivals are really huge it's kind of weird. It's totally fun for me and my band to play in front of a crowd that doesn't necessarily know who we are, but festivals get pretty impersonal when they get super large.
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It's so crazy now with the Internet and being able to play shows to people who are actually interested in you. I still feel so lucky when that happens. Things just happen so fast.
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I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
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I hate living in a really small apartment, living in a shoebox, not being able to play the drums, not having space. It sucks.
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I don't think anybody has a choice. Everybody has to kind of interact with all the craziness right now. I don't like to engage - a lot of people made a point of doing the social media thing, and I think that social media is complete trash, so I treat it like that. I like Instagram. I like the funny photos. Other than that, it's not for me.
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I lived in Brooklyn for a year and I moved out to Rockaway Beach. I've been living here for two years now. I put my address on the album, so I have a lot of visitors all the time.
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I was having a good time before, but you grow up after a couple years and realize, "I can't get drunk like this every night." Things change.
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Their [Phoenix] audience wasn't into us at all. The way most of the venues worked was there was no alcohol on the floor so usually during our set most people were in the lobby getting their drink on.
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I get asked that a lot: "What do you think your role is, with all the people that look up to you?" I'm an entertainer, you know? I'm not trying to bombard anybody with anything, but at the same time, face-to-face or in real life, if I'm talking to some kid, I have opinions just like everybody else does.
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That's kind of the weird thing about Salad Days. I had to block time off from touring and tell my management and label like no press, no nothing. Let me make an album. You guys are running me dead.
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I didn't want to play music because the whole family did it. I wanted to work in a cubicle. I saw Office Space as a young tween and missed the point of the movie. I was like, "This looks good!".