Alison Gopnik Quotes
The radio was an improvement on the telegraph but it didn't have the same exponential, transformative effect.
Quotes to Explore
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Outside of the mindless sitcoms that the networks thrive on, people able to think generally consider most entertainment is escape in one form or another.
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People want entertainment, a whole night of it, a whole experience.
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I would love to write the story of my upbringing in Ireland.
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You can be aware of the passing of time without being nostalgic.
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In Holland, we have a saying: 'A knife cuts on two sides.' With the rubber duck, I'm trying to show people what they haven't been seeing in their public space. When the rubber duck is there and when it's gone, you know.
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If he'd just crowded me down to the side of the asphalt, I'd have been OK. But when he ran me completely off the racetrack, I lost it.
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I often feel like I could fall off the face of the Earth. As long as 'Mama' was around, nobody would really miss me. People really think of her as an actual person. People all the time see me and ask, 'Where's Mama?' Like she should be with me.
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I got into filmmaking in order to tell very personal stories, and in this day and age, the opportunity seems all the more precious.
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If you don’t have any fresh ideas, then you use stale tactics to scare the voters. If you don’t have a record to run on, then you paint your opponent as someone people should run from. You make a big election about small things.
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Who wants to go beyond the Bojador Must go beyond pain.
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Perhaps I became so vague, so exhilarated with vagueness, precisely in order to forestall a recognition of the final term of the syllogism that begins: If one man loves another he is a homosexual; I love a man...
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After a lifetime of living on hope because there is nothing but hope, one loses the taste for victory.
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Indeed, there is no evidence to suggest innate morality. It is therefore important to create the conditions under which the expansion of our moral communities may become more likely.
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I am a great believer rather than the popular scientific way of dealing with things that 'Nothing exists unless you can prove it'. I am pretty much the other way that pretty much anything can exist unless you can disprove it.
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The hero of my tale, whom I love with all the power of my soul, whom I have tried to portray in all his beauty, who has been, is, and will be beautiful, is Truth.
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But I must own that I am much in the Dark about Light. I am not satisfy'd with the doctrine that supposes particles of matter call'd light continually driven off from the Sun's Surface, with a Swiftness so prodigious!
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Of course, success takes you where your character can't sustain you.
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And shortly after that, when I try to get access to those soldiers, to ask them what in the world was going on, I was told that they did not work for me and I had no right to have access to any one of them.
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The elective system offered a bewildering freedom of choice, leaving some graduates with the impression that they had nibbled at dozens of canapes of knowledge and never had their fill.
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The world is a never-ending cross-reference.
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I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems?
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Whatever my own practice may be, I have no doubt that it is a part of the destiny of the human race, in its gradual improvement, to leave off eating animals, as surely as the savage tribes have left off eating each other when they came in contact with the more civilized.
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The radio was an improvement on the telegraph but it didn't have the same exponential, transformative effect.
