Alison Krauss Quotes
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I don't know if bliss is possible and I've always thought that my best times will be later in life.
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The grand old lady of bluegrass? Well, wouldn't that be a wonderful title to have? I hope I do enough to earn it some day.
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The smile on your face lets me know that you need me, there's a truth in your heart that says you'll never leave me, and the touch of your hand says you'll catch me whenever I fall.
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If you don't know what makes green, you're going to try every color combination.
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I think you translate emotion better when you take your hands off.
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When it's open and honest, that's when the real nature of who you are as a vocalist or as a performer, all of that stuff can finally start to become what it's supposed to be. Like a settling into yourself. It's not even a musical thing, it's a whole mindset, a whole acceptance of who you were supposed to be. Life sounds good.
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I grew up in a school that had a big music program, and it was incredible. It's what I looked forward to during the day. I had chorus, strings, band.
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You know, if you really want to fiddle the old-time way, you've got to learn the dance. The contra-dances, hoedowns. It's all in the rhythm of the bow. The great North Carolina fiddle player Tommy Jarrell said, 'If a feller can't bow, he'll never make a fiddler. He might make a violin player, but he'll never make no fiddler.'
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I love hard singing.
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I don't look for bliss, just contentment.
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I started with the classical violin when I was 6, and I guess it went well.
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Oh Mr. Webster could never define what's being said between your heart and mine.
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It's not that I have resisted songwriting, it's just not something I felt I have had to do. I've just not woken up and thought, I must do this. But I have often heard music that I have instantly felt 'I have to sing that song'.
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Growing up I used to love bands like Free and ELO and the Rolling Stones. When Robert Plant got in touch it made perfect sense to me.
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I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
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Being in the studio is a really romantic time.
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I find the songs I want to record by listening to as much music as I can. 'When I hear things I really like, I ask the writers to send me a tape of everything they've ever written.
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A whole album to one writer - now that would be really interesting.
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Some things feel really good to sing: there's a physical aspect, but there's more to it - a deeper place you go to.
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That's what I love. Not being interrupted, sitting in a car by myself and listening to music in the rain. There are so many great songs yet to sing.
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Growing up, we had folk records.
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People are always very nice.
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You know, for most of its life bluegrass has had this stigma of being all straw hats and hay bales and not necessarily the most sophisticated form of music. Yet you can't help responding to its honesty. It's music that finds its way deep into your soul because it's strings vibrating against wood and nothing else.
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It's impossible to make a record when you're ill because it affects how you listen to things. You can't make decisions. It all sounds terrible.