Alison Krauss Quotes
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I don't know if bliss is possible and I've always thought that my best times will be later in life.
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If you don't know what makes green, you're going to try every color combination.
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The grand old lady of bluegrass? Well, wouldn't that be a wonderful title to have? I hope I do enough to earn it some day.
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Oh Mr. Webster could never define what's being said between your heart and mine.
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When it's open and honest, that's when the real nature of who you are as a vocalist or as a performer, all of that stuff can finally start to become what it's supposed to be. Like a settling into yourself. It's not even a musical thing, it's a whole mindset, a whole acceptance of who you were supposed to be. Life sounds good.
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Growing up I used to love bands like Free and ELO and the Rolling Stones. When Robert Plant got in touch it made perfect sense to me.
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It's not that I have resisted songwriting, it's just not something I felt I have had to do. I've just not woken up and thought, I must do this. But I have often heard music that I have instantly felt 'I have to sing that song'.
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I find the songs I want to record by listening to as much music as I can. 'When I hear things I really like, I ask the writers to send me a tape of everything they've ever written.
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I don't look for bliss, just contentment.
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I love hard singing.
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A whole album to one writer - now that would be really interesting.
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I grew up in a school that had a big music program, and it was incredible. It's what I looked forward to during the day. I had chorus, strings, band.
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You know, if you really want to fiddle the old-time way, you've got to learn the dance. The contra-dances, hoedowns. It's all in the rhythm of the bow. The great North Carolina fiddle player Tommy Jarrell said, 'If a feller can't bow, he'll never make a fiddler. He might make a violin player, but he'll never make no fiddler.'
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I think you translate emotion better when you take your hands off.
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I started with the classical violin when I was 6, and I guess it went well.
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I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
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Some things feel really good to sing: there's a physical aspect, but there's more to it - a deeper place you go to.
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Growing up, we had folk records.
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That's what I love. Not being interrupted, sitting in a car by myself and listening to music in the rain. There are so many great songs yet to sing.
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Being in the studio is a really romantic time.
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It's impossible to make a record when you're ill because it affects how you listen to things. You can't make decisions. It all sounds terrible.
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I never had any big dreams about doing something on a huge scale.
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Lyrics are kind of the whole thing; it's the message. Something might have a beautiful melody but if it's not the truth coming out of your mouth, it's not appealing.
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People are always very nice.