Alison Lurie Quotes
The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten.
Quotes to Explore
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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There's not a liberal America and a conservative America - there's the United States of America.
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Even with my wife, I find sharing soup is hard.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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Getting pummelled is better than not playing anything at all.
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I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
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I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
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In our house, everyone's opinion is welcome. I grew up in a house where everything wasn't when it came to politics or religion.
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When I arrived at Barcelona, I was following a dream, but I now realize sometimes it's better to be content with what you have rather than follow a dream which nearly kills you.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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I believe in reincarnation of the soul.
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When the CEO makes a decision, people don't come back on it.
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Everyone should play their role in tearing down the wall of hatred.
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I feel the audience are friends that have come to see us. That was always how we look on it in the Carter Family. I've never suffered stage fright.
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In 1991, few North Koreans had ever used a telephone. You had to go to a post office to make a phone call.
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Academic institutions in Britain have been infiltrated for years by dangerous theocratic fantasists. I should know: I was one of them.
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Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.
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The hip hop industry is most likely owned by gays. I happen to think there's a gay mafia in hip hop. Not rappers - the editorial presidents of magazines, the PDs at radio stations, the people who give you awards at award shows.
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I love the Beatles, but I don't listen to them at all regularly. Most of my friends are bigger Beatles fans than I am. I respect them, and I love them - 'Abbey Road' is probably one of my favorite albums, but I don't think I've ever listened to the 'White Album' the whole way through.
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You do the best you can with what's thrown at you, then you try again.
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The riskiest thing I have done in my fifties is to do a Polish accent for a new film. I had a great time working on it and two wonderful people to guide me. A dialect coach that I have known for thirty years and a Polish actor.
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I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
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Remarks by the President at Congressional Black Caucus Foundation 46th Annual Phoenix Awards Dinner (18 September 2016)
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The great subversive works of children's literature suggest that there are other views of human life besides those of the shopping mall and the corporation. They mock current assumptions and express the imaginative, unconventional, noncommercial view of the world in its simplest and purest form. They appeal to the imaginative, questioning, rebellious child within all of us, renew our instinctive energy, and act as a force for change. This is why such literature is worthy of our attention and will endure long after more conventional tales have been forgotten.
