Alistair Overeem Quotes
Quotes to Explore
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You had to go to a different part of town from where I was to get Muddy Waters singles. I had him on singles.
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I certainly keep my eye on Washington all the time because often life is stranger than fiction.
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When it comes to rapacious 19th century capitalism, my family's hands are clean.
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I'm bigger now than when I was eating meat. My lifts in the gym are better. I'm in better shape.
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Good food and a warm kitchen are what makes a house a home. I always tried to make my home like my mother's, because Mom was magnificent at stretching a buck when it came to decorating and food. Like a true Italian, she valued beautification in every area of her life, and I try to do the same.
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It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
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I'm trying to have some longevity in this business. If that means not working for a while and just picking the right job, so be it.
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Pigeons are among the most maligned urban wildlife despite the fact that human beings brought them to our shores and turned them loose in our cities - not something that they chose.
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First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.
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Help young people. Help small guys. Because small guys will be big. Young people will have the seeds you bury in their minds, and when they grow up, they will change the world.
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When you're in the middle of a pennant race, you can't go up there thinking about home runs.
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If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
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Hollywood, that whole industry, is a lot like a really small town. You bump into the same people all the time. I think Six Degrees of Kevin Bacon can be played with anyone and everyone in Hollywood.
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There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
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I saw a man take a needleful of hard drugAnd die slow
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That happy age when a man can be idle with impunity.
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The extremist people hate me. They speak about me in the mosques and pass round leaflets condemning me as un-Islamic.
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I remove a lot of the pressure from myself by saying I'm not competing with my parents. They are the persons who taught me my ideology. They actively practiced what they preached. They're the exemplars and the role models. So how does one compete with a mentor?
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I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
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A lot of directors in my experience are very receptive. They see what you do first, and then they want to find a place to put the camera, and they tweak you here and there.
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I went to the library and learned how checks work. I found out that routing numbers are like zip codes: the checks are sent to the bank that correlates to the routing number. If I manipulate those numbers to a bank far away, it would take longer to get back to the bank, which gave me more time to write more bad checks.
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'Sixth Street' is probably a new chapter for me. All of the songs were written in my apartment where I'm most comfortable, and at that point, I understood who I was and knew what I was feeling about life.
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If I lose to Frank Mir, I have to find something else to do.
