Allan Gurganus Quotes
I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
Quotes to Explore
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
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Most actors can't make any kind of living.
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We care about margins.
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If people hate me they hate me.
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I hate to lose. It's a bad feeling, but, I mean, it kind of gets you resettled, gets you back right.
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There's always hunger to create because I believe that's what I do. I believe that's what I'm supposed to be doing.
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I've lived in New York for 40 years. I came right after college.
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I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.
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There's more to life than physical and material.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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It's always good to be known. You want to build your brand up, want to build your name.
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I am the middle child with an older and younger brother.
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I've been training quite hard.
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Awards are not the only markers of success; I don't judge myself just based on them. I believe that each cinema-goer has his own mental trophies.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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We've had some fairly intensive discussions leading up to these meetings between NATO and Russia, preparing for them, and it's going to be a very important six months for NATO.
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My marks were always bad, and I was a bad influence on other children, so they would explain to my mother that they could retain me only by being partial towards me, and so I should offer to leave the school myself. I would barely get 40-50% and was also extremely naughty.
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Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
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My goal as a creative person is to express truth and beauty in whatever I do
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There are movies that we have done that haven't come out very well. That doesn't feel very good. But 'Jem' is in a different category. I'm proud of the movie. I stand by the movie, but I'm obviously sorry it didn't do any better.
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For me, my criteria for making films is all about trying to do something different from the last time. So if I catch myself doing too much of one thing, I'm always trying to move away from that, because it's not going to be challenging enough to keep my attention and focus.
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This means that the search for a formula of European cooperation in connection with the League of Nations, far from weakening the authority of this latter must and can only tend to strengthen it, for it is closely connected with its aims.
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Novels have much more space than short stories, which gives you more leeway with the number of characters you can include. Even 'furniture' characters can be described and given speaking parts to develop background or atmosphere.
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I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
