Allan Gurganus Quotes
I'm a great admirer of Primo Levi's work. It's always mind-boggling, the idea of how much pain people can endure and still come back from the edge with a sense of humor, with this tremendous animal desire we have to get on with life.
Quotes to Explore
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Women can't be afraid to look like action heroes. It's not always pretty, but when it's on the screen, it translates well to the audience.
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Underwriting is probably the smallest part of our business.
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I would do fragrance. I'm a fragrance fanatic.
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I never wanted to give up my given name. I'm proud of it, but the only problem was that no one remembered it. It was just a little too awkward, and they mispronounced it so frequently.
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I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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Community colleges are one of America's great social inventions a gateway to the future for first time students looking for an affordable college education, and for mid-career students looking to get ahead in the workplace.
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I'm no good with chords. I'm horrible with chords.
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We are born believing. A man bears beliefs as a tree bears apples.
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History's a resource.
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There will be the 5% on the fringe of any hardcore fanbase that get angry about any change you make to the source material. The truth is that novels, games, comics, and what-have-you are not usually ready to be slapped up on screen as-is.
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Every time you come out with an album or a song, you want to feel like you're growing a bit in what you are and giving people something that they can feel.
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We set up a situation and let you interact with it and see the consequences of your choice. That's what gaming does.
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You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
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I long for a South African society that's free of ideological forces - no society can ever really be free of ideological forces - but I wish it was free of power.
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We cannot change the cards we are dealt, just how we play the game.
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So Liam and movies are obviously big passions, and I read and write.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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The one indisputable reality of dictatorship is that dissent, insult, and malevolent language do not go unpunished if it is allowed at all.
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I have a very all-over-the-place lifestyle. The people I know who are married - 90 percent of them have houses and live in the same place and sleep in the same bed every night.
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The video for 'Whatever' is kind of a documentary in a way. It's showing that love can last. Not just in your early 20s or your late 30s, but in your 50s, 60s and 70s. There's an awful myth out there that when you get married, love and lovemaking fade. It's not true.
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I have never separated form and content. The photo should have a meaning. But my photos are also more or less well constructed. If they had false notes, they stayed on the contact sheet.
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I am not thinking that because people say I am great that I really am great. I am just doing a job, just like everybody else. The only difference is that a lot more people see what I do.
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At Standing Rock, we experienced, first-hand, people coming together in their communities and trying to use the levers of representative democracy to try and say, 'We don't want this in our community; we don't want this in our backyard,' and corporations using their monetary influence to completely erode that process.
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I'm a great admirer of Primo Levi's work. It's always mind-boggling, the idea of how much pain people can endure and still come back from the edge with a sense of humor, with this tremendous animal desire we have to get on with life.
