Lynsey Addario Quotes
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If I'm doing a story on how a single mother copes in a refugee camp, I'll go to her tent; I'll follow her when she's working, see what her daily life is like, and try to pack that into one composition, with nice light, in one frame.
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I've always wanted to do a photo book, but I've never done one because I've never felt ready; I just didn't feel my work was good enough.
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I wanted to continue doing my work, but I had to figure out how. And so what I have basically come up with is that I still go to Afghanistan and Iraq and South Sudan and many of these places that are rife with war, but I don't go directly to the front line.
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I'm constantly struggling. You know, the stories that I feel like I could cover, do the work that I want to do and being a mother. That's really where my struggle is - and being a wife and having a life - and for me it's really hard to find that balance. I'm always struggling to find that balance.
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I started freelancing for the Associated Press. I had a great mentor there who sort of taught me everything.
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One day I am at home, watching dramatic images of Iraqi Yazidis fleeing for their lives being aired nonstop on 24-hour news channels. Days later, I am there, staring at tens of thousands of displaced Iraqis and feeling a 35-millimeter frame cannot capture the scope of devastation and heartbreak before me.
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I do think my childhood is one of the fundamental reasons that I'm able to do my job. We were raised in this totally nonjudgmental family. We never knew who was going to walk in the front door. And as a journalist and a photographer, you walk into so many different scenes that you have to be open to everything.
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A lot of women act like it's the easiest decision, and I'm just going to have a baby and put my life on hold and not be worried about it. Well, I was worried.
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I grew up in Connecticut, going in and out of New York City, and I worked in the city in the '90s. I was freelancing for the Associated Press, and I fell in love with New York.
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When I'm documenting, for example, a story on women in Afghanistan, I will do a huge amount of research and a lot of time on the ground just getting to know the women before I even start shooting.
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I interviewed dozens and dozens of African women who had endured more hardship and trauma than most Westerners even read about, and they ploughed on. I often openly cried during interviews, unable to process this violence and hatred towards women I was witnessing.
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Let's get one thing straight: I am not an adrenaline junkie. Just because you cover conflict doesn't mean you thrive on adrenaline. It means you have a purpose, and you feel it is very important for people back home to see what is happening on the front line, especially if we are sending American soldiers there.
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Americans are really lovely people - friendly, kind and willing to help you out.
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As a woman, I have tried to take advantage of the extra access I have in the Muslim world: with Muslim women, for example. Many people underestimate women in that part of the world because, typically, they don't work.
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I think that more often than not, people underestimate me.
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I had imposed unspeakable worry on my husband, Paul de Bendern, on more occasions than I could count.
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I remember the moment in which we were taken hostage in Libya, and we were asked to lie face down on the ground, and they started putting our arms behind our backs and started tying us up. And we were each begging for our lives because they were deciding whether to execute us, and they had guns to our heads.
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For a journalist who covers the Muslim world, we have responsibilities to be familiar with that culture and to know how to respond to that.
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I'm a very open person, very self-deprecating. I accept my flaws.
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If publications want to publish images and stories from a certain person, they should put that person on assignment, cover his or her expenses, make sure they have access to security briefings and experts, someone to administer first aid, etc.
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As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
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As a war correspondent and a mother, I've learned to live in two different realities... but it's my choice. I choose to live in peace and witness war - to experience the worst in people but to remember the beauty.
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For me, taking photographs is such a tortured process. I'm always feeling like I'm not getting enough: I'm in the wrong place, the light isn't good, the subject's not comfortable.
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Nothing seemed more important to me than to make the world aware of the senseless death and starvation in South Sudan. I wanted people to see through the eyes of the suffering so my photos might motivate the international community to act.