-
I never went to school for photography and started when I was pretty young. I was somewhere around 12 or 13. I started photographing as a hobby and carried that hobby through high school and university.
Lynsey Addario
-
You have to believe 100 percent in what you're doing, that some picture or some thing we do is going to change the world in some tiny, minute way.
Lynsey Addario
-
I try not to get caught up in how our society is so inundated with images, and stay very focused on the work that I'm doing.
Lynsey Addario
-
Becoming a mother hasn't necessarily changed how I shoot, but it certainly has made me more sensitive, and it certainly makes it much harder for me to photograph dying children.
Lynsey Addario
-
Since Sept. 11, many of the wars of our generation are in the Muslim world. So as a woman, I have access to 50 percent of the population that my male colleagues don't.
Lynsey Addario
-
I always knew my death would be a possible consequence of the work I do. But for me it was a price I was willing to pay because this is what I believed in.
Lynsey Addario
-
Don't expect things to happen fast. Be empathetic with the people you are photographing. Don't be concerned about money.
Lynsey Addario
-
Look, I would say that anyone who does this work and doesn't have a strain of idealism is an adrenaline junkie or completely narcissistic. There is no other justification. You're risking your life, and if anything happens, it's our families who suffer tremendously.
Lynsey Addario
-
I generally don't follow domestic news that much aside from how it relates to the stories I'm covering abroad, like what Americans think of the War in Afghanistan.
Lynsey Addario
-
It's very hard to turn your back once you're aware of what's going on, and you're aware of the injustices, and you're aware of the civilian casualties. It's much easier if you have no idea and you've never seen it.
Lynsey Addario
-
I've rarely seen portrayals of photojournalists that seem accurate.
Lynsey Addario
-
You have two options when you approach a hostile checkpoint in a war zone, and each is a gamble. The first is to stop and identify yourself as a journalist and hope that you are respected as a neutral observer. The second is to blow past the checkpoint and hope the soldiers guarding it don't open fire on you.
Lynsey Addario
-
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life for it.
Lynsey Addario
-
The fact is that trauma and risk taking hadn't become scarier over the years; it had become more normal.
Lynsey Addario
