Allison Schroeder Quotes
I'm a stickler for structure. So I tend to make sure I'm hitting certain points in the script and that I'm progressing and moving things along. You know, are the characters keeping the plot moving along? And are they true, and do I know their motivations?
Quotes to Explore
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I don't use drugs, my dreams are frightening enough.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.
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I read a lot of true crime growing up – 'The Stranger Beside Me' by Ann Rule about Ted Bundy.
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Ugh - I wish I could just sit back and watch TV sometimes.
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A society in which vocation and job are separated for most people gradually creates an economy that is often devoid of spirit, one that frequently fills our pocketbooks at the cost of emptying our souls.
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If you see a black family, it's looting, but if it's a white family they are looking for food.
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The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity; that, at least one may replace the parent.
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When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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In the finance world, we used to spend all of our time looking backwards, reporting on what happened. Can I book it? What are the numbers? Now it's about looking into the future. It's about planning and integration. The role of finance is now that of a partner in the business.
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The value of an arts education is widely accepted, especially in California.
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I have been very strongly advocating that poverty must not be used as an excuse to continue child labour. It perpetuates poverty. If children are deprived of education, they remain poor.
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Before training, I eat slow-release energy food, such as porridge or muesli, especially in the morning. Afterwards, I eat protein so my muscles are able to recover, such as a protein bar followed by a meal of chicken and vegetables. I always stay hydrated during workouts by drinking plenty of water throughout.
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We are naive and moralistic women. We are human beings who find politics a blight upon the human condition. And do not know how one copes with it except through politics.
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Then in 1969, I spent the spring term at Cornell University in New York. The invasion of August 1968 had already happened, but the hardline regime took several months to crack down on dissidents.
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I'd pretty much given up hope of being published, so I just wrote the book I wanted to read.
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I have never acted in one and I'm not at all interested to do so either.
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What is the sound of Perl? Is it not the sound of a wall that people have stopped banging their heads against?
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My victory is when the audience buys a ticket to watch my film. I am extremely thrilled when they give it a thumbs-up.
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I think since I'm not particularly well-known as myself, it's funny all the different perceptions people have of me. Like, if someone's only seen me in 'Death Proof,' they think I'm sort of a ditzy girl who says stupid things and wears revealing outfits all the time.
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I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.
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I had a vocal coach. It's a sad thing, but I had to hire someone so that I could get my Australian accent back.
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I'm a stickler for structure. So I tend to make sure I'm hitting certain points in the script and that I'm progressing and moving things along. You know, are the characters keeping the plot moving along? And are they true, and do I know their motivations?
