Allison Tolman Quotes
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.

Quotes to Explore
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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Since I was a child, I have had this feeling that the most important work I'd do would be with my family.
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There are millions of Americans outside Washington who are tired of stale political arguments and are moving this country forward. They believe, and I believe, that here in America, our success should depend not on accident of birth, but the strength of our work ethic and the scope of our dreams.
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Bad company is like a nail driven into a post, which, after the first and second blow, may be drawn out with little difficulty; but being once driven up to the head, the pincers cannot take hold to draw it out, but which can only be done by the destruction of the wood.
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Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
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Republicans in Congress boosted the economy by cutting taxes and ending programs that don't work.
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The average Jordanian has much in common with the average American in terms of the values that we share, the fact that we all value the family unit, our work ethic.
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To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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What I see now is the consumerisation of IT. I don't want my company to tell me that I have to use a BlackBerry or I have to use a Windows phone. I just want to use the phone I want and have it all work.
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Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
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Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
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Having your stuff online - some people think of it as gimmicky, but in a way, it's one of the most pure forms of having your work judged.
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I've never seen hard work fail.
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When I'm out there, you just have to react. That's why you work on those throws. When you're in the moment, you can't think to yourself, 'How do I get this to go 47 yards and be 2 yards inside the sideline?'
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Attributing to anything or anyone more good than God has attributed to them is not a positive move, nor does it mean that you have done them any good. A single grain of truth is preferable to a bumper harvest of false imaginings.
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Each man delights in the work that suits him best.
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The line 'because you're mine, I walk the line.' It kept coming to me, you know? But I was - I was … young and not been married too long. Yes, it kept coming to me. Because you're mine, I walk the line. And then the words just naturally flowed. It was an easy song to write.
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I organized Sweet Honey In The Rock in 1973. The music was sanity and balance.
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I have been singing gospel music since I was four years old.
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People in retail banks are not smart. They have a business model that's quite difficult to not make money out of - but still they somehow manage it.
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The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.