Lionel Barber Quotes
In the summer of 2009, I modestly predicted that most major news organisations would be charging for content within 12 months. Charging, I argued, would not only plug the revenue gap; it would also help to re-establish value in their news product.

Quotes to Explore
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I always played to win.
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In capitalist history, invasion and class struggle are not opposites, as the official legend would have us believe, but one is the means and the expression of the other.
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I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
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Tragedy is like strong acid - it dissolves away all but the very gold of truth.
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Here or henceforward it is all the same to me, I accept Time absolutely.
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I couldn't pick just one defining breakthrough role. I like to think that they're all a part of me.
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I'm an old-fashioned girl, and I didn't believe in living with people, so I guess I married for the wrong reasons at times.
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I redefined how I ate and exercised and have continued to keep that up because it feels great.
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It couldn't have happened anywhere but in little old New York.
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I don't look at myself as suffering.
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If you take anything I say with any seriousness whatsoever, go study Yang style tai chi. It will make you live longer.
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Many faux pas of fashion can be avoided if you curb your instinctive desire to buy things with your heart instead of your head.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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I ate better in Liberia than I did in Ohio.
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I've been grateful that 'Time's' reach and mandate is so broad; anything you're interested in, you can usually write about.
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In a strange way, I'm way more comfortable onstage than anywhere else.
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It was Nate Monaster who encouraged me to be a writer.
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I sort of mind living in a time when most of the literature is terribly personal. I suppose it's because I grew up on a love of history, philosophy, science and religion, but not to think too much about yourself.
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I'd sit on the coffee table and lip sync to 'Blue Christmas,' 'I Can't Help Falling in Love,' 'Love Me Tender,' 'Don't Be Cruel' - some of the big hits like that.
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Amy Carmichael's great longing was to have a "single eye" for the glory of God. Whatever might blur the vision God had give her of His work, whatever could distract or deceive or tempt other to seek anything but the Lord Jesus Himself she tried to eliminate.
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I grew up in a house full of books and parents who read, which led to me to reading from a very young age. And reading seemed to naturally progress to writing.
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I feel like I'm 100 years old. I can't tell you what I did today. I can't tell you what I did for seven years. I can't tell you. It happens so seamlessly - I'm just floating along and seven years go by.
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I was bullied; I was kind of a girl in the corner. So acting was a great outlet for me by pretending to be someone else.
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In the summer of 2009, I modestly predicted that most major news organisations would be charging for content within 12 months. Charging, I argued, would not only plug the revenue gap; it would also help to re-establish value in their news product.