Lionel Shriver Quotes
Quotes to Explore
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I was making comebacks every single year. That makes it difficult mentally. It causes a lot of stress.
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I want to give my followers a positive message. I want to give those girls a positive message who have been forcefully married, who continue to sacrifice. I want to be an example for those people. That's my aim.
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I pinch myself daily at the good fortune of my life, you know, in many ways.
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The gap in education in this country, the unfairness of the schools, is one of the great unfairness in this society.
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Maybe it will be a great thing when the Baby Boomers finally die out. In real life, it's not a matter of the good guys or the bad guys. Rather, it's big numbers and small numbers that do the counting.
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I've always gone for the more sensitive, bookish guy, totally. The jock boys, the sporty guys, I don't know... they just didn't do it for me.
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Afghanistan has moved forward and Afghanistan will defend itself. And the progress that we have achieved, the Afghan people will not allow it to be put back or reversed.
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I'm happy. I give thanks every morning that I can get up, that I still have my husband with me. I'm extremely grateful. After all, how many 93-year-old cover girls do you know?
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Foreign politicians don't have resources - or limited resources. It's useless dealing with them.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.
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The drama and the trauma of the relationship you have when you're 16 can mirror the one you have when you're 26. Life repeats itself.
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The latter 1940s and early '50s were a time of tense, explosive conflict, in the world at large and in the politics of our nation.
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Usually, I just don't care what I look like. If it's cold, I'm, like, putting on whatever I have to to be warm.
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Life is more important than 'what film I do next.'
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.
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The breadth of work that's possible is wider and deeper for someone who looks like me in the States than it is in the U.K.
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I read two mysteries a day when I was a kid. All of Agatha Christie, all of 'Sherlock Holmes.' I've seen every single British detective show ever made.
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I remember it as if it were today... seeing him [Che] framed in the viewfinder, with that expression. I am still startled by the impact... it shakes me so powerfully. (On his iconic photo of Che Guevara)
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'Push' had a story, 'The Paperboy' story you could just throw up in the air and shoot holes through the book because the story wasn't as strong. But I felt the characters were stronger in 'The Paperboy'; they were vivid.
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The dumbest childhood vow I ever made was to finish every book I started.
