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Novelists are too often assumed to write veiled autobiography.
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I have buckets of sympathy for the obese, often subject to cruelty, ridicule, denunciation, and contempt.
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A manuscript under way always gave me something to do; only while enduring the aimlessness between books was I truly glum.
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We vainly fancy ourselves above the ugly informing and paranoia of the right-wing McCarthy era, but in the 21st century, the Left has fashioned a mirror image.
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February is for curmudgeons, whinge-bags, and misanthropes. You can't begrudge us one month of the year or blame us for being even crabbier, it's so short. There is nothing good about it, which is why it's so great.
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I was terrified of growing up to become the anti-me, maturing into a woman whom I would not recognise and who wouldn't recognise her younger self.
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Laws to protect 'public health' are potentially infinite, especially once they no longer have to be supported by any research whatsoever.
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I am hopeful that the concept of 'cultural appropriation' is a passing fad: people with different backgrounds rubbing up against each other and exchanging ideas and practices is self-evidently one of the most productive, fascinating aspects of modern urban life.
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I owe thanks to a thoughtful, sophisticated readership hungry for challenging subject matter, for honest portrayals of parenthood, and for fiction whose meaning is neither obvious nor morally pat.
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Tory supporters are not spontaneously ashamed; they have been made to feel ashamed. British leftists fiercely believe they are right - in the sense of correct but also in the sense of just. Conservatives likewise believe they are right-as-in-correct. Yet Tories are less confident about whether their politics are right-as-in-just.
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I guess I understand a public intellectual to be somebody who moves public discourse forward: someone who either says something new or says something that everybody knows to be true but is afraid to express.
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Some of the best scenes in drama take almost no time - helping to illustrate that life-changing events in real life often occur in a split second, after which nothing is ever the same.
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Beauty is aspirational - an ideal that mortals approach but seldom attain.
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I can't be alone among fiction writers in regarding the world, so much weirder than anything we could make up, as beating us at our own game or in racking my brains over what could possibly constitute a contribution when novels pale before the newspaper.
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The sign that I don't like the book I'm reading is finding myself watching reruns of 'Come Dine With Me.'
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When we conceive of happiness as a static state, effectively a place toward which we are aimed but at which most of us will never feel we've quite arrived, then the vision becomes exclusionary.
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When Truman Capote wrote from the perspective of condemned murderers from a lower economic class than his own, he had some gall. But writing fiction takes gall.
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In the perfect world, no one would need pre-nups. But all too often, a misty-eyed romancer at the altar transforms into a vengeful, avaricious fiscal predator when the marriage goes south.
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Perhaps scientists will eventually discover that we are all clockwork bunnies, and our experience of volition is an electro-chemical illusion.
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I read 'The Bell Jar' as an adolescent and, like most teenagers, had no problem identifying with a young woman who had everything going for her - looks, talent, opportunity, with her 'whole life ahead of her,' yadda, yadda, yadda - yet was spiraling into misery.
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Most women work not from yearning for fulfilment but yearning to pay the mortgage.
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When my novels are packaged as exclusively for women, I'm not only cut off from a vital portion of my audience but clearly labelled as an author the literary establishment is free to dismiss.
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A smaller waist is not the solution to all your problems.
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In economics, 'competitiveness' does not describe Barack Obama's insistence on not only being president of the U.S. but also beating his staff at bowling.