Lisa Frank Quotes
I have always wanted to do a feature film that brings the world of Lisa Frank to life. We have so much backstory on our characters, and they have been alive in my imagination since the beginning.
Quotes to Explore
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Progress, real progress, makes me cry harder than anything. When the world itself grows.
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We were both in love with him. I fell out of love with him, but he didn't.
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I think, for me, Julian Schnabel set a great precedent in being able to cross over so successfully. I feel like his artwork is kind of big, grand, and bombastic, yet the films that he makes are very beautifully sensitive, and I just feel that his filmmaking sensibility is very different from his artwork.
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You know, I'm an African-American quarterback. That may scare a lot of people because they – they haven't seen nothing that they can compare me to.
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The degree that these scenes went to... there was a couple of days I was upset... I'd have to hurry back to the girls in the makeup trailer and have a bit of a cry because it messes with your head.
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When I'm making a film, I'm obsessive about what I do, and I get totally into it. That's all I'm eating, breathing, living at that moment.
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I found it peculiar that those who wanted to take military action could - with 100 per cent certainty - know that the weapons existed and turn out to have zero knowledge of where they were.
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The best way to find yourself is to lose yourself in the service of others.
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I don't know how to make Harper and Alloy want me, not just my name.
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You just have to take control of your own performance.
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I've always been taught that hard work doesn't fail.
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I believe in reincarnation of the soul.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Empathy is a virtue, but it should not be a guiding judicial principle.
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In the theater, it's a visceral and physical response because you move around so much. You have to do something physical to pull you in. On TV or in movies, everything is so small. You can just lock into a character and ease yourself into that way.
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The red-carpet thing of premieres and parties is probably my least favourite part of my job.
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Learning about factory farms and their horrendous treatment of animals is what made me become vegetarian in the first place. I also support the education of the public on adopting pets from animal shelters or saving homeless animals off the street in lieu of buying them from pet shops.
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I grew up in South Africa and I would look at maps and we were at the bottom of the world. There was this whole thing up there. I was always reading encyclopedias about the world. So travel was something I was always attracted to.
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Every once in a while I run the Olympic downhill in Japan in my head. I think of how the energy is going to flow and then I make it all work for myself.
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Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
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Eighty percent of our life is emotion, and only 20 percent is intellect. I am much more interested in how you feel than how you think. I can change how you think, but how you feel is something deeper and stronger, and it's something that's inside you.
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I have always wanted to do a feature film that brings the world of Lisa Frank to life. We have so much backstory on our characters, and they have been alive in my imagination since the beginning.
