Vicky Krieps Quotes
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I found meditation. It was more out of pure desperation: I just started to wake up at 5 and sit for one hour, and suddenly, day after day, piece by piece, I could really feel I was coming back into me.
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In German, if a situation is tense, you say 'unter strom' - under electricity.
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I grew up wearing trousers and climbing trees.
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In my family, people become pregnant at 33 or something, not 26.
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In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.
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I didn't have the courage to let myself think or dream of acting because I come from Luxembourg - it's a very small country, and I think it's a place you need to get away from to see how big the world is and what's possible.
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Many relationships can become difficult, and it can be hard to find a way back.
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I am always open to when someone says, 'Let's do it this way.'
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I love how complicated we are. We are complicated because of what we've had and lived.
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The more I'm here in L.A. talking to people, the more I believe that what I've been doing is right, and that's the belief that you have to judge a role from the character, by the script.
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I wasn't a girl who grew up wearing dresses, but I was always attracted to fabric. When we'd go to a shop, the fabric I'd pick was always the most expensive. It was always the silk or cashmere. It was something in me, that desire to choose quality. It's the same now.
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You can give into a relationship and warmth and the arms of another person.
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I stood in front of a mountain and was overwhelmed by the beauty and energy; I had goosebumps. I thought, if I could record this feeling, go back home and pour it out again so other people can have that feeling, this I would want to be my work. I knew it was acting - I wanted to be like a messenger or medium.
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For me, couture is like 35 mm. film. It's so important we school ourselves to see real quality. In a couture garment, as in a 35 mm. film, you really feel the life of the people who made it. In high-street fashion, it's different. There's no risk.
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Actors actually have a feeling, like a sixth sense. They are like mediums. But it only works - you can only become this medium or this vessel to transport emotions and images and feelings - if you are not too full of yourself. Otherwise, there wouldn't be space for a story to live inside of you or a world to evolve in you and around you.
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When I was 26, I got pregnant. I decided to have the baby because I accept everything in life as an adventure. I accept life. I couldn't see why you would not accept it.
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I have such strong beliefs. No money or anything could change that.
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For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.
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When I got pregnant, I knew I wasn't anywhere in my career, that I had not arrived. I was still on my adventure, and so I said to the child in my belly, 'I am so happy for you to come, but you should know I'm still on my way, and you'll have to come with me and be in my rucksack.'
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Love for your work, love for another person, love for yourself - love is a huge pond, and it's never empty. You can go and take from it, and it will give you strength.
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I was definitely in acting class in school, but I was never the princess of the play. I will always remember: they always gave me the part of the gypsy or the old man in the corner.
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I don't believe in borders, I find them boring. And I don't see any difference between any person.
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It seemed too glamorous to me to be an actress like in the movies.
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I often have the feeling that acting is really not difficult, because all I do is I just listen. I just listen. I just listen to what there is. And if there's nothing, then I listen to nothing. If there's a chair, and it's empty, I listen to an empty chair, and I will respond to it.